What old Wild West scene would be complete without its saloon full of cowboys, bandits, and unsavory elements of society? How about a haunted one? Paso Robles, California, is a historic little town tucked away along the Salinas River in San Luis Obispo County, California, its name coming from the original El Paso de Robles, meaning “The Pass of Oaks.” It is the quintessential Old West town, looking very much as it always has, and it possesses a long history populated by colorful characters. It was inhabited by Native tribes for thousands of years until the mission era, when settlers began pouring into the region and the area of Paso Robles became known for its numerous thermal springs, and in later years has become known for its haunted historic saloon.

It was due to the hot springs of the area that in the 1880s, Mexican War veteran Drury James, of Kentucky, uncle of the infamous Jesse and Frank James, moved in to secure a land grant along the Camino Real trail in order to provide a stopover for weary travelers. Drury would actively advertise its hot springs as having healing properties and curative effects for a wide range of ailments, even going as far as to bottle it and sell it, and as more settlers and visitors poured in, it became a town in its own right, as more hot baths, orchards, cattle ranches, and vineyards sprang up around them. In fact, in 1886, the Southern Pacific Railroad made it a major stop along its route, and Paso Robles was officially incorporated as a city in 1889.

It became a popular destination as a hot spring resort, with the magnificent El Paso de Robles Hotel serving as a main attraction for the wealthy with its numerous bathrooms, plunge bath, garden, and 9-hole golf course. The hotel itself became well-known for its healing hot springs, and it and the town would go on to be visited over the years up to the present by such famous personalities as President Theodore Roosevelt, actors actors Douglas Fairbanks, Boris Karloff, Bob Hope, and Clark Gable, Gary Busey, Robert Mitchum, Mel Gibson, Sam Elliot, Greg Kinnear, Grammy Award winner Louie Ortega, Kenny Lee Lewis of the Steve Miller Band, musician Merle Haggard, bass player for Steppenwolf Nick St. Nicholas, Eagles songwriter Jack Tempchin, Blues player K.M. Williams, and many others. Yet, although this place in its early days was an attractive holiday destination, it was not without its shadier elements lurking about, most of which revolved around the rough-around-the-edges of a place called Pine Street.

The street itself was originally a stagecoach stop where coaches would stop on their way to Bakersfield, and it became known as a gathering place for miners, ranchers, and the more nefarious dregs of society. They would hold dances and horse races here, often drinking, gambling, and raising a ruckus, and among them were also some notorious outlaws, notably Drury’s own relatives Jesse and Frank James. In the midst of this den of villainy was a modest two story structure which held within it a bar that was at the time called the Red Door, also a notable billiard parlor and card room, at one point even serving as a candy store, which while one of many other similar establishments along the street was certainly one of the most infamous, being one of Jesse James’ alleged haunts when he was in town.

The bar would eventually be known as the Pine Street Saloon, and it has gone on to become one of the oldest standing buildings in Paso Robles, with full swinging doors and looking like something out of a Western movie, as well as the most haunted. Perhaps it is due to its rough history, but the Pine Street Saloon has long been considered ground zero for all manner of paranormal phenomena, including roving cold spots, mysteriously moving objects, shadow figures, and even the supposed apparition of Jesse James himself, said to lurk in darkened corners of the bar, only to vanish when approached. Patrons have also complained of being pushed or slapped by unseen hands, and mediums who have visited have reported there being very malevolent spirits here that mean people harm. There are also often fleeting figures and other anomalies captured on the security cameras of the establishment, and the paranormal activity is such that the Travel Channel show The Dead Files has done an episode on it all called The Watcher.

In recent years, Paso Robles has been a quaint, historic town known mostly for its many vineyards and wineries and its burgeoning beer brewery industry more than anything else, but the Pine Street Saloon still stands, having become a major music venue in modern times, despite its reputation as an intensely haunted place. Indeed, the town itself continues to be a major tourist hotspot, and the saloon has become a haven for people looking to enjoy spirits in one form or another. It seems that the history of this place and its often violent underbelly may have some part to play in the hauntings here, but it still leaves one to wonder why these spirits might remain tethered to this place. Whether there are any real ghosts at the Pine Street Saloon or not, it is certainly something to keep one's eye out for if you are ever in town for a drink

Another decidedly mysterious place imbued with the paranormal, situated in the vast state of Texas, is an area in Crosby County, near where the eastern edge of the Panhandle hits the Red River, where there is a lake called Blanco Canyon Reservoir. Into this reservoir juts a small peninsula, a rocky, grassy plateau that was once called simply “The holding point on the North Blanco,” with the North Blanco being the old name for the White River. The area was a bit precarious due to its steep 200-foot drop-off into a sheer cliff, but this was what made it a popular place for passing ranchers to hold herds while they rested, due to the fact that the cliffs served as a sort of natural fence, and there was ample grass and water at the top. A herd could just be plopped there for a while without having to worry too much about it, with none of the animals willingly toppling over the precipice to their deaths.

This all worked out quite nicely for a while, and trail bosses made this a frequent stop, but in the late 1800s, there was a series of very bizarre events that would cast a sinister light on this place, and earn it the rather ominous nickname “Stampede Mesa.” It all allegedly started one day in the fall of 1889, when a cattle herd was brought here by some trail bosses, but they were disappointed to see that someone had built a brand new homestead right there upon the most prime grazing land. As they tried to figure out what to do and how to reroute the herd, an ominous storm began to rise up out of nowhere, with black clouds quickly rolling out over what had been a totally clear sky not long before, and the rumble of thunder became increasingly louder as flashes of lightning flickered across the darkening landscape.

The main trail boss, a man named Sawyer, decided that he did not feel much like taking the several hours it would have taken to regroup the herd and lead them around the mesa, not in the face of the brewing storm, so he got it into his head to just drive the cattle straight through the homestead. Aided by the booming claps of thunder and the lightning lashing across the sky, Sawyer fired his pistol into the air, waved a blanket, and made as much noise as he could to conjure up a stampede. This worked, and the over 1,000 steers in his care bolted in a mass of heaving panic straight through the homestead, crushing everything in its wake and leaving several innocent people dead.

The problem was, the cattle did not stop with the utter annihilation of the homestead, and indeed did not stop at all, racing right over the mesa to go careening off of the cliffs on the other side. When the dust cleared, the wake of destruction led to almost all of the steers lying dead and dashed upon the rocks below, as well as a few of Sawyer's men, their horses taken over by the same senseless panic as the cattle. Undeterred, Sawyer ordered the few hundred remaining cattle to be rounded up and driven on to their destination, without so much as a proper burial for his ranch hands or innocent homestead occupants who had died in the chaos, simply leaving them there strewn about and smashed on the rocks to rot. Because of his reckless abandon and cold-heartedness, it was said that Sawyer never got work as a trail boss ever again and ended up vanishing without a trace.

The area became known as Stampede Mesa, and whether it was because of all of this darkness and death or not, the place became known for being intensely haunted. Indeed, the very following season, another group of cattle-pokes were out on the mesa when, for no reason at all, their entire herd suddenly bolted in unison for the cliffs and went recklessly pouring right over to their deaths, along with several ranch hands. According to the tales, this happened again and again, with sudden storms that sprang up out of nowhere often reported, and in some cases, even the presence of spectral entities. One cowboy at the time, named Lon Schuyler, had an account that was shared on the site Texas Escapes, claiming that he had seen mysterious wraith-like beings described as “ghost cows” up on the mesa in 1902, after heading there despite all of the ghostly rumors already swirling at the time. He would say of the whole bizarre experience thus:

“Spring of aught-two, it was. Me an' a pal a mine, feller named George Ramp, I think that was his last name, we signed on for a Injun-beef drive goin' plumb to Montana. Got up on the North Blanco, the boss says 'We a-gonna hold on the point.’ Let me tell you, 'bout half the crew drew their time right then. Me an' George, though, we was fulla piss an' vinegar, an' wasn't no spook story gonna scare us. Them ol' hands, they told us we was crazy if we stayed, but we done it anyway.

 Me an' George, we drew second watch-that's from 'bout ten in the evenin' to 'bout two in the mornin'. We decided we'd ride double circle-one of us goin' round the herd one way, one goin' the other, so we'd cross twice durin' each round an' if we seen anything peculiar we could warn each other. It was right on toward midnight, by the way the dipper was settin'. I was on the east side. That's when them things started comin' outa the brush. Looked like cows, but not like no cows I ever saw. They was plumb white-white as milk. They didn't make no sound atall. An' then didn't look like they walked. They just sorta floated by.

Now, I was ridin' a claybank gelding, one of the steadiest horses I ever had. Never knew that horse to shy at anything afore, but he sure didn't want nothin' to do with them things. Trouble was, we couldn't get 'way from 'em. They was everywhere. I hit at one with my hand an' it just went in. Felt like hittin' into cold smoke, 's what it felt like. I hollered real loud 'Look out, George, they gonna run!' an' sure 'nough, they did. George, he was on the west side, an' he taken his lariat an' commenced to hittin' the leaders on their noses, tryin' to turn 'em. Don't never let nobody tell you you can turn a herd by shootin' in front of 'em. All that does is scare 'em worse an' make 'em run faster.

Well, the fellers that wasn't out there with me an' George, all they had to do was pull their boots on an' grab saddled horses. While we did lose 'bout two hunderd head we managed to turn 'em into a mill an' keep the rest from goin' over the side.That trailboss, he come up to me a-hollerin'. 'Goddammit, Lon,' he says, 'it was your holler started that run! I oughta pull you off that horse an' stomp your head in.'

Now, George, he wasn't a cussin' sorta feller. Oh, he'd say 'Hell' or 'damn' ever' now an' then, but he wasn't a big cusser. He laid into that trailboss, an' I swear he called him ever'thing but a white man. When he got through he told that feller 'If Lon hadn't hollered when he did, I'd be down there with them cows. We was up here, you wasn't. That wasn't no low-flyin' nighthawk or a rabbit or a possum loose in the herd. We seen them things. They was ghosts-cow ghosts. An' we're a-drawin' our time right now, 'cause neither one of us is damnfool 'nough to keep workin' for a damnfool like you. An' we're gonna tell ever'body we run into, all the way back to Lampasas County, just what kinda damnfool you are, holdin' a herd on Stampede Mesa.' We done it, too, an' that feller never bossed another herd.”

Other phenomena that were reported over the years at Stampede Mesa include apparitions of the ghosts of cowboys, sometimes atop glowing spectral mounts, ghostly horses wandering about, and the bizarre sight of ghostly stampedes flickering and playing out in the clouds above. There were also reports of the disembodied sounds of stampedes when nothing was there, shrieks and screams, and anomalous lights. The reputation of Stampede Mesa as being a haunted, accursed place grew to the point that cattle ranchers began to avoid the area altogether, and the herds that once wandered about this mesa dried up.

In later days, many of these phenomena persist, and this has come to build a reputation as one of the most haunted places in Texas. The tale has gone on to become the inspiration for the song Ghost Riders in the Sky, by Stan Jones, which has gone on to be recorded by the likes of Burl Ives, Bing Crosby, Peggy Lee, Spike Jones, Dick Dale, Tom Jones, Elvis Presley, Johnny Cash, and others, and this would influence The Doors in their song Riders of the Storm. It is indeed the most oft-recorded Western song of all time, and the story is also supposedly even the inspiration for the Marvel Comics character Ghost Rider.

There is every chance that this all was born of eerie legend, but the fact remains that even to this day, there are various paranormal phenomena reported from the area. Is this all due to some evil force inhabiting this mesa? Is it the ghosts of that fateful stampede instigated by the mad Sawyer over a century ago? Or is it just a spooky myth that has grown to take on a life of its own? No matter what the answers may be, there are places in this world that draw to themselves such stories, and Stampede Mesa holds its place among them.

Moving along from haunted places, we come to various wraiths, demons, and other paranormal entities said to roam the Wild West. Our first tale here comes from the badlands of the U.S. state of South Dakota, where the rugged landscape looks very much as it always has. Looking out over the bleak canyons and jagged peaks of this place, it is easy to imagine one is still in the days of the Wild West, and if the legends are to be believed, some entities are here as they have always been. According to the book Myths and Legends of Our Own Land, by Charles M. Skinner (1852-1907), there is a vengeful spirit that roams this desolate land and strikes fear into the hearts of all who encounter her.

One of the many stories of the area is that there is a lone figure of a ghostly woman who lurks about a lonely butte called “Watch Dog.” Here she has been said to appear since the time of cowboys and Indians and settlers heading west, always by moonlight upon this bleak hill. The phantom is said to approach parties passing through and stand there merely staring, as if waiting for someone to talk to her, yet when someone tries to call out to her, she will throw her arms into the air and unleash an unearthly, ear-piercing shriek that echoes about for miles and leaves the stunned party in terror. The banshee will then vanish to leave those present in a state of bewildered fear, the silence of the night crashing back down upon them once again. 

On some occasions, the entity is seen with a companion in the form of a fleshless skeleton, which is said to approach camps in which music is playing, only to ghoulishly sit at the flickering edges of the campfire between light and shadow, bobbing its head to the tune. It is said that if one is to give the apparition an instrument to play, it will do so with breathtaking skill before vanishing into the night, although it is said that this music has a hypnotizing quality and that the skeleton will sometimes try to lead people away into the wilderness to vanish themselves. If one becomes too enamored with this music, they are also said to go insane, and it is best not to offer the skeleton a chance to play at all.

The butte itself is apparently shunned by cattle and wildlife, and making it even weirder is that orbs of light and strange electrical phenomena are known to frequent the hill. No one really seems to know what these spirits are. For some, the woman is the victim of an Indian raid or a murder victim. The skeleton has been said to be the spirit of a cowboy who died in the middle of a song he was never able to finish. No one really knows, but the legend has remained, and those who know of it will still give Watch Dog butte a wide berth.

Similarly, a very well-known tale of wailing ghosts featured in folklore originates in Latin America, Mexico, and the American Southwest, in particular Arizona and New Mexico, and concerns the sinister entity called La Llorona, or “The Weeping Woman.” The dark tale of this tragic figure has many variations and permutations depending on the geographical region, but they generally begin with a village woman who was renowned for her stunning beauty. The woman, in many tales referred to as Maria, is said to have fallen in love with a handsome visiting gentleman who had been entranced by her comeliness, and the two married to go on and have two children. 

However, the marriage devolved rather quickly due to the fact that the husband was an unrepentant womanizer, and also tended to ignore her when they were at home in favor of playing with their children. Things came to a head when, in later years, her husband found a younger mistress, and by all accounts, Maria did not take this well. According to the tale, she became insanely jealous and went about viciously drowning her two young children in a river, before finding some lucidity and regretting her actions. Depending on the version of the story, she then either chases them along the river and drowns trying to retrieve them, or commits suicide by joining them in their watery grave. The lore has it that she was then doomed to wander the earth eternally looking for and crying out for her children, and that she could not rest until they were found.

La Llorona is usually described as an apparition of a woman dressed in white, often with a veil over her face, most often seen prowling the shores of lonely rivers or lakes and shouting out for her children, screaming, and sobbing uncontrollably. Many versions of the tale state that to hear her cry is a portent of incoming death or tragedy, which is very similar to the stories of the Banshee, and she is also said to kidnap children and drown them in a pantomime of her murder of her own children. The story has become one of the most popular spooky tales of Latin America, and has been made into countless books, art, poetry, theatre, literary films, and TV shows. While it seems to be mostly pure legend and myth, the tale is a pervasive one, and there are many people in many Hispanic countries and the U.S. Southwest who have claimed to have encountered the spirit, and it is undeniably one of the more famous tales of a wailing spirit.

From the rough wilderness of Mount Superstition in Arizona comes the tale of a tribe of little people who are said to have once inhabited the area. These dwarves were said to stand around 3 feet tall, and while they were mostly peaceful, they were on constant guard against their enemies, the Apache and the Zuni. The story here goes that one day, a group of Zuni warriors was approaching the hill that the dwarves occupied, and since this meant nothing but trouble, the little people began preparations to defend against the imminent attack. On this occasion, the Zuni were coming here to take away a companion the dwarves had made, a pale woman with long, flowing white hair who the Zuni claimed was a witch who had escaped to avoid marrying their chief. When the little people refused to hand her over, the Zuni made preparations to attack, amassing a force of 700 warriors.

According to the tale, the Zuni rushed in expecting a decisive victory against the little people, but they were met by the visage of the pale woman standing before them defiantly, wearing a white robe, her hair blowing in the wind, and completely unafraid of the invading force. The warriors paused only for a moment before approaching their prize with no resistance from the dwarves, who cowered behind rocks and in caves. It is said that as the wave of warriors rushed closer, the pale woman casually emptied an earthen jar onto the parched earth, and sparks, lightning bolts, and balls of fire began to erupt from all around them, striking down the Zuni warriors and sending them careening off cliffs. Seeing their companions dropping dead all around in this intense display of fire and lightning, the remaining Zuni fled. It is said that the Apaches also tried to invade the hill and were similarly driven back by the powerful magic of this mysterious witch woman, who came to be known as “Pale Faced Lightning.” It is said that the dwarves were then left in peace with their guardian savior, and that the ghost of the sorceress still haunts the Superstitious Mountains to this day.

Another area of the Old West with its share of spooky stories is a place called Spring Canyon, in Carbon County, Utah. The landscape here is littered with decrepit, feral ghost towns baking and crumbling under the sun and years, a place of abandoned mines and the ruins of the past. Yet this was once a prosperous, thriving mining community. With the opening of the remote area in the 1880s, due to the building of a route through here by the Denver & Rio Grande Western Railroad, coal was soon discovered, and the area saw an influx of settlers, mostly miners. This fueled a boom in mines, mining camps, and settlements throughout the rugged hills of the area. In its heyday, there were thousands of people living here, but there was something else more insidious lurking here as well.

Over the years, the miners began to come back with stories of a mysterious, spectral woman wearing a flowing white dress, who they would encounter down in the gloomy murk of the mines. This Lady in White was apparently not benevolent, as she was said to be the cause of mine and tunnel collapses, and was blamed for miners who went missing without a trace. The phantom woman was said to have the power to beguile and enthrall the men who looked upon her, and would try to lead them further into the dank tunnels, from which they would never return, and many miners refused to go into the mines alone. It does not seem to be clear who this ghost is supposed to be, but what is known is that even after the coal boom ended and the towns and mines were allowed to be reclaimed by the wilderness, the White Lady is still said to wander about calling out to anyone who will listen, and there are sporadic sightings of her to this day.

Other entities supposedly roam the badlands as well. In the mid-1800s, the state of Texas was a lawless, forsaken place, a den of outlaws and murderers, as well as aggressive Native tribes out for blood, all of them prowling the desolate, dusty landscape of the wilds to ruthlessly prey on the unwary. Even more dangerous than the state as a whole was a swath of land sitting between the Rio Grande River and the Nueces River, which was an area disputed by the governments of the United States and Mexico. Since Mexico recognized the border as being the Nueces to the north, while America saw the border as being traditionally the Rio Grande river to the south, it made the area into a sort of no-man’s land that attracted to it the very worst of the worst. Indeed, the area became so riddled with killers, bandits, cattle rustlers, and thugs that the government had it patrolled by a group of hardened men called the Texas Rangers, composed of toughened vigilantes sometimes almost as violent as the men they hunted down.

Two of these rangers were a man named Creed Taylor, a veteran of the Texas War for Independence, and fellow war hero and folk legend William Alexander Anderson “Big Foot” Wallace, who owned their own ranches along just south of San Antonio. One of the villains haunting the area was a bandit and cattle rustler known as Vidal, and in 1850 he had his eye on the horses and cattle of several of the ranches along the Rio Grande and indeed all over south Texas. In daring raids, he managed to snag a good number of prized mustangs from some of these ranches, earning himself a “Dead or Alive” bounty on his head, but unbeknownst to him he had also stolen from both Taylor and Wallace, who had been off fighting a Comanche raid and so had not been able to defend against the bandit. Unfortunately for Vidal, these were two hard men who would not take kindly to outlaws stealing their horses and were trained to hunt down just the sort of scum who had done it, and this is exactly what they set out to do.

The two rangers were well aware of who Vidal was and had no illusions that their horses had been stolen by anyone other than the nearly legendary horse rustler, and so they gathered up a posse to go out for a little frontier justice. The trail led them out over a desolate, forbidding moonscape of wilderness with banditos and Comanche warriors lurking everywhere and danger always around the corner, but the skilled trackers were able to manage to find Vidal’s camp in short order. After an intense exchange of gunfire, Vidal and his henchmen were shot down in a rain of bullets, but Taylor and Wallace were not done yet, and this is where the grim legend of the headless horseman would have its origins.

Wanting to make a bold and bloody statement to other bandits who would raid ranches in the no-man’s land, Taylor and Wallace went about chopping Vidal’s head off and strapping his headless corpse tightly to his horse. When the macabre deed was done, it appeared as if Vidal was riding his mount minus a head, and satisfied that it was a chilling enough warning to other outlaws, the two rangers sent the horse out into the wilderness with its morbid, ghoulish passenger on its back. It did not take long at all for frightened ranchers and travelers to start reporting the “phantom” headless rider, whose appearance only got more horrific as decay and the elements did their work on the corpse, and Vidal in death gained the name El Muerto, “The Dead One.” He was variously seen as being an omen of disaster or death, a harbinger of misfortune, and even a demon, sometimes described with flourishes such as that the horse shot fire from its nostrils or lightning from its hooves, and the rumors spread far and wide.

El Muerto would be sporadically sighted wandering about the wilderness for years before one day, when, according to the tale, the horse either died of natural causes or was killed by ranchers near a watering hole. The by now desiccated, skeletal corpse was then pried from its bindings and unceremoniously buried in an unmarked grave at Rancho La Trinidad, near present Ben Bolt in Jim Wells County. One would think that would have been the end of El Muerto, yet although he was no longer a physical presence, the legend was far from over. People now began seeing a ghostly phantom horse with Vidal still headless and riding atop it, sometimes heard to scream out, “It is mine. It is all mine!” as he rides past, often vanishing into thin air. The phantom El Muerto has supposedly been seen all the way up to the present day, most commonly in Duval, Jim Wells, and Live Oak counties, and there is even a place called Headless Horseman Hill, said to be one of the specter’s favorite haunts.

Is this just a spooky campfire story and urban legend, or is there anything more to it? It is known that Creed Taylor and Bigfoot Wallace were real historical figures, but it is unknown if they really killed and beheaded a bandit to send his corpse careening through the wilds without a head. It also isn't exactly clear how much veracity the reports over the years of a ghostly decapitated rider have, whether they are real or just a propagation of the legend and myth. Whatever the case may be, it is a suitably spooky tale that manages to meld real history with a paranormal chill, and although we may never have answers, it will probably still do the rounds for some time to come.

Finally, we have the weird tale of the Red Ghost of Arizona. The whole tale can probably best be traced back to the spring of 1883, when two women and their families were living at a humble cottage near a place called Eagle Creek. On this dark evening, the women were at home alone, watching their young children, the men off on an errand. This was a tense time, as the Native general Geronimo and his warriors had recently passed through, leaving death in their wake, so, understandably, the families waited eagerly for the return of the fathers, ever vigilant for an attack at any time. At some point, as they sat there in the darkness awaiting the return of the fathers and wary of any Native warriors who might come around to kill them, one of the mothers went out to fetch water from a nearby well. It was to be a quick errand, but as soon as she left, the family dogs reportedly began raising a ruckus, howling and barking at nothing in particular, and as the woman was out there on her chore, there was the sudden sound of screams, moans, and chaos. She never came back.

The other woman who went to the window to peer out into the gloomy darkness and said she witnessed something enormous and red “ridden by the devil” go galloping by. It was all so terrifying that instead of going out to investigate, the remaining mother barricaded the doors and waited for help to come, with it being unknown just what had happened out there with that red demon or whether the other woman had survived at all. It was not until the men returned that they would discover what had happened, venturing out into the night to find the body of the woman who had gone to get water. Strangely, her corpse was battered and broken almost beyond recognition, as if she had been viciously trampled by some monstrous beast, surrounded by mysterious footprints far larger than any horse and some wisps of reddish hair adorning the brush. Although it was suspected that someone had murdered her, the hysterical woman who had seen the beast said that the ferocious red monster and ghostly rider she had seen must have been behind the death, and it was officially classified as “death in some manner unknown.” However, this would not be the last appearance of the “Red Ghost.”

In the days after this tragic incident at the cottage, there would begin to trickle in reports from prospectors of seeing an immense, red cloven-footed creature prowling the wilderness, often with glowing eyes and a phantom rider, and some of these encounters proved to be rather harrowing indeed. In one instance, a miner told of seeing the beast vanish into thin air, and another swore that he had seen it kill a bear. Others said it would kill horses without provocation. One well-publicized account was made by a group of miners who were purportedly accosted in their tent by something very large, and when one dared to look outside, they saw an “impossibly tall horse,” which let out an unearthly wail and ran off into the night. The creature had destroyed the tent and left enormous hoof prints twice the size of those of a horse, as well as a path of trampled brush and red hairs behind.

Many of these stories began to take on an almost urban legend feel to them, spooky tall tales whispered around the campfire, each more fantastical than the last, and the Red Ghost, also known as the Fantasia Colorado, became almost legendary in a short period of time. It was seen as a demonic beast atop which rode a skeletal specter, a monstrosity from Hell itself, and it was greatly feared. As mythical as this all seemed, one terrifying account would come forward to give it all a little more weight and a possible explanation. In this case, the witness was a well-respected, wealthy local rancher by the name of Cyrus Hamblin, who on this day was out rounding up cattle in an area near a place called Salt River when he had his brush with the odd. At one point, he was surveying a deep ravine when he claimed that he had spotted a large reddish creature moving through the dense chaparral, which, considering the scary stories of the Red Ghost, was rather alarming at first. However, as the beast made its way into the open, Hamblin saw that it appeared to be something almost as unexpected as a ghost- a camel.

He tried to creep closer to get a better look at the animal, and would report that it had seemed to have something on its back, which looked to be the dead body of a man, although he couldn’t be sure. In the meantime, the Red Ghost continued to be sighted, with many of these reports still maintaining that it was some sort of supernatural beast or demon, which could vanish at will and was not afraid to ruthlessly attack those who wandered too close. A few weeks after Hamblin’s encounter, a group of prospectors said they came across the creature near the valley of the Verde River. In this case, the miners were armed, and they claimed to have fired in unison at the thing, but that it had been impervious to their bullets. As it ran off, it dropped something from whatever was perched on its back, and when the prospectors took a look, it was found to be “a human skull with a few shreds of flesh and hair still clinging to it.”

Although it is unknown who this poor soul had been, the more superstitious claimed that this was yet another victim of the marauding monster, but in reality, it probably was a camel rider who had died from the elements, his corpse withering away as his beast of burden wandered these badlands. It might seem strange that there should be a camel rider out in Arizona, but it would not be beyond the realm of possibility, as the U.S. had at one point created a Camel Corps in 1855, using the animals to help the Army operate in the forbidding desert landscape of the American Southwest.

Camels were seen as perfectly adapted to this harsh frontier, and their ability to carry far more weight than horses or mules made them particularly useful. A contingent of camels was then imported and trained by the Army, and the whole thing was so promising that the War Department added funding and their full support behind the project, but it was an experiment that would ultimately fail. The animals were just too unruly and too alien to most handlers for them to really catch on as a viable alternative to horses. Most ranchers regarded them as foul-tempered, kicking, biting, spitting abominations who did not want them anywhere near their land, and cavalrymen did not care too much for them either. The whole project was disbanded in 1863, with the camels auctioned off, left abandoned at scattered military outposts, or in some cases even just released into the wild.

The use of camels became somewhat invigorated when miners continued to use them, switching to the two-humped Bactrian variety rather than the one-humped dromedary type that the Army had used. However, these camels were no better behaved than the others, and were widely mistreated, leading to incidents of the camels fighting back and even trampling their owners to death. Once again, many of these camels were abandoned or left to the elements, lost and forgotten. It is thought that those that did make it into the wild probably eventually died, but there is the chance that some could have survived, and indeed, there were camels being sighted in the southwest well into the 1900s, with reports coming in from as late as the 1960s. Could it be that one of these camels, made aggressive by years of mistreatment by its human handlers, could have been The Red Ghost?

The mystery of the Red Ghost became even more interesting when the skull and remains that had fallen from its back were more carefully examined, and it was determined that the strips of rawhide used to fasten them had been tied in such a way that suggested that the dead man had been intentionally fastened to its back by someone else, although whether he was still alive at the time or not is unclear. In an article in The Mojave County Miner, it was written:

"The only question is whether the man was tied on for revenge or merely as an ugly piece of humor by someone who had a camel and a corpse for which he had no use."

Who had this man been, and why had he been tied to the back of a camel? No one knows. Interestingly, reports of the Red Ghost continued, with ranchers and miners frequently reporting that they had been attacked by the beast, and although it was beginning to be widely regarded as a possibly violent camel on the loose, there were still reports that painted a picture of something more supernatural. One such account came from some prospectors camping out along the shores of the Verde River, when they said they had been awoken by an earth-shattering, piercing scream. They claimed that a red-haired monstrosity at least thirty feet long and with massive pitch black wings had then swooped down from the sky to land with a resounding crash that knocked some wagons over and sent men running in terror. They said that when they had warily returned to the camp in the morning, the camp had been utterly trashed and littered with huge cloven footprints and red hairs.

Was this just a tall tale to build on the pervasive legend of the Red Ghost, or was there something more demonic operating out there in the desert and being confused with the escaped camel? Whatever the case may be, the creature was seen for years, eventually losing its macabre load on its back, and sightings slowly evaporated until it was rarely seen at all. The last reported official encounter of the Red Ghost was carried in the February 25, 1893 edition of the Mohave County Miner, which reads:

"Another ghost is laid. Another of the tribe of gaunt hobgoblins that keep the romance of the mysterious southern deserts is gone. Another of the unearthly dangers that the timid Mexican women used to pray against has departed. Mizoo Hastings of Ore was the priest that exorcised this phantom. Mizoo has a ranch a little above the gold camp on the San Francisco River. He woke up one morning and saw through the window of his cabin a big red camel banqueting in his turnip patch. Mizoo took a dead rest on the window sill and blazed away. He got the camel. When he went out to examine the beast, he found that he was all scarred up and had evidently had a very hard time. He was covered with a perfect network of knotted rawhide strips. They had been on him so long that some of the strands had cut their way into the flesh."

This was the official end of the Red Ghost saga, but the tales and unconfirmed reports continued, either because there was something else out there or because the real camel had become intertwined with a pervasive, evolving legend. Was it just a camel that killed that woman and was behind all of the strange tales and reports? Who was the body upon its back, and what had doomed him to such a fate? In the end, it is all a rather colorful historical tale, likely weird history tinted with campfire tales, myth-building, and a dose of sensationalist newspaper articles. Regardless, it is a damn strange little historical oddity, whatever the case may be.

As you can see, such tales as we have looked at here certainly put the “Wild” into the Wild West. What are we to make of these stories? Is there anything to these tales besides spooky lore and creepy campfire stories? Are these tall tales, or is there maybe something more to them, a peek into some very unique supernatural phenomena? Whatever the case may be, these are all truly spooky tales that show that the Wild West has its share of creepy horror stories. 

One such strange, supposedly immortal individual called New Orleans his home in the early 1900s, and by some accounts was more than merely an eccentric, but also an immortal vampire. The setting for this odd tale is the city of New Orleans, Louisiana, in the early 1900s, when one day a mysterious stranger came to town to take up residence at an opulent home at 1039 Royal Street. The stranger called himself Jacques St. Germain and immediately made an indelible impression with his dashing good looks, charming demeanor, and obvious wealth. Indeed, he was known to splash about money as if it were nothing to him and came to be known for holding lavish parties at his luxurious home, where he would entertain high society’s rich and elite. It was not long before this stranger was the talk of the town, yet no one really had any idea of where he had come from, nor much about him at all other than that he spoke both French, English, and Spanish fluently, and that he was well-traveled, talking excitedly of his trips to far-flung places throughout the world but giving very little personal information about himself. 

It didn’t seem to matter, though, as the handsome socialite was so rich and charming, beguiling even, that people overlooked it. As time went on, Jacque’s eccentricities began to come through. He was rarely seen during daylight hours, and it was noticed that during his conversations, he would often slip into talking about events in the far past with such familiarity and with such a sentimental cast to his expression that it gave people the unsettling feeling that he had actually been present at these events, despite them lying sometimes centuries in the past. He also began to make bold claims that he was a direct descendant of the late Comte de St. Germain, who was a mysterious European adventurer, philosopher, and prominent member of high society in the 1700s, as well as a personal friend and diplomat of King Louis the XV.

This was all taken with a grain of salt, and most took it to be said in jest, merely entertaining banter, but there were others who noticed that Jacques actually did bear a striking resemblance to Comte de St. Germain, and seemed to behave very much the same as well. Rumors began to swirl, and before long, there were whispers that not only was Jacques related to Comte de St. Germain, but that they were one in the same, this even though he had died in 1784. Nevertheless, there was speculation that Jacques had somehow achieved immortality, an idea bolstered by the fact that Comte de St. Germain was often said to be immortal, always appearing to be around the same age in all of his portraits, about 40, which was incidentally the same age as the mysterious Jacques, and he had been sighted throughout the centuries looking as young as ever.

On top of all of his other idiosyncrasies and his uncanny resemblance to his claimed ancestor, this led to suspicion that Jacques was perhaps actually an immortal, and had merely changed his identity from Comte de St. Germain upon moving to New Orleans. This was bolstered by the fact that Comte de St. Germain had often made bold claims that he was hundreds of years old and had found an elixir of everlasting life, on top of other bold and mysterious proclamations, with the famous Italian author, adventurer, and great historical womanizer Giacomo Girolamo Casanova himself once writing of Comte St. Germain in his memoir, thus:

“This extraordinary man, intended by nature to be the king of impostors and quacks, would say in an easy, assured manner that he was three hundred years old, that he knew the secret of the Universal Medicine, that he possessed a mastery over nature, that he could melt diamonds, professing himself capable of forming, out of ten or twelve small diamonds, one large one of the finest water without any loss of weight. All this, he said, was a mere trifle to him. Notwithstanding his boastings, his bare-faced lies, and his manifold eccentricities, I cannot say I thought him offensive. In spite of my knowledge of what he was and in spite of my own feelings, I thought him an astonishing man as he was always astonishing me.”

Another oddity that Jacques shared with Comte de St. Germain was that, although he threw decadent feasts and seemed to revel in people gorging themselves on food in his presence, he never seemed to actually eat anything himself. He was said to merely talk and observe, sometimes drinking from a chalice of wine, but never actually eating any of the food on display. This oddly mirrors an unusual observation made of Comte de St. Germain by Casanova, who said of him:

“The most enjoyable dinner I had was with Madame de Robert Gergi, who came with the famous adventurer, known by the name of the Count de St. Germain. This individual, instead of eating, talked from the beginning of the meal to the end, and I followed his example in one respect as I did not eat, but listened to him with the greatest attention. It may safely be said that as a conversationalist he was unequalled.”

All of this led to people half-jokingly suggesting that Jacques was not only immortal and actually Comte de St. Germain, but possibly even a vampire, although some people seem to have steadily grown to accept this as more than just a joke. Jacques St. Germain, of course, got wind of the rumors and seemed to get great amusement from it, enjoying stoking the gossip by neither admitting nor denying anything. It all seemed like a game to him, and only served to fuel the fires of the rumors.

This might have been where the whole story ended, with Jacques St. Germain merely remembered as an eccentric, rich playboy, if it weren’t for an odd incident that struck a few months after coming to New Orleans. One evening, a woman was witnessed dropping to the street from one of St. Germain’s upper-floor windows, with onlookers saying she had jumped. The woman, a prostitute, survived the fall but was described as being absolutely terrified by something she had seen up in that house. Things got even stranger when she was questioned by police, during which time she claimed that the reason she had jumped was that St. Germain had tried to ferociously bite her neck, causing her to fight him off with all of her might and fly into a panic, jumping out of that window to escape.

Despite this rather dramatic testimony, St. Germain laughed it off, and was a well-respected member of high society by that time, and the police told him that everything could be worked out the following morning. No one thought at all that he could have been guilty of what he was accused of, and it was thought that the woman, a lowly prostitute in their eyes, was on drugs or insane. The authorities explained to him that his coming in for questioning was merely a formality and that everything would quickly be sorted out. St. Gemain then pleasantly and politely accepted, wished the officers a good evening, and closed the door. It would be the last anyone ever saw of him.

When the next morning came around, the police patiently waited for St. Germain to arrive, but he never did. Still not thinking him guilty of anything other than a poor choice of prostitutes, they nevertheless went to his residence to see what was going on. The house was found to still hold most of St. Germain’s belongings, large amounts of valuables, and all of his furniture. The second floor of the residence was supposedly murky and heavily curtained, and as the police pushed into the gloom, they allegedly made a macabre discovery of numerous bottles containing a mixture of wine and human blood. Of the missing St. Germain, there was no sign, and he would indeed never be seen again, disappearing into the night to leave raging rumors and all of that blood behind.

With this strange and rather grim discovery, coupled with the sudden and mysterious disappearance of Jacques St. Germain, the rumors of immortality and vampires quickly went from a sort of joke to very serious indeed, and the legend took off as those who had looked at these ideas with skepticism suddenly were faced with the realization that something very weird was going on indeed. People were now convinced that not only were Comte St. Germain and Jacques St. Germain the same, but that he was an actual, real-life vampire.

Many things went into such wild reasoning. Why did they look so exactly alike? Indeed, there were also many similarities in both their personas and demeanors. Both were eccentric, rich ladies' men with a penchant for engaging conversation and spinning fantastical yarns, and both were well-learned world travelers. It seemed too much to be a coincidence. Why was he seen almost always in the evening hours, and why was he never seen eating anything at his own luscious feasts? How was it that he knew such details about events hundreds of years before, and why did he speak of these things as if he were there seeing them with his own eyes? Why was he so secretive with his personal information, and most importantly of all, why did he have bottles and bottles of blood in a darkened room? No one had a clue, but it all added up to paint a very odd picture.

This theory was further fueled by the fact that, although Comte de St. Germain is considered to have been a real person, his actual history is rather murky and ill-defined, making him quite the mysterious figure indeed, ripe for fitting him into all of the madness. Very little is known about the man himself, where he came from, or even when and where he was born, or what his true name really was. This is partly because he changed identities and titles so often, but also because he was a social chameleon and considered to be a very skilled and accomplished liar in all things. One Lady Jemima Yorke once said of him.

“He is an Odd Creature, and the more I see him the more curious I am to know something about him. He is everything with everybody: he talks Ingeniously with Mr Wray, Philosophy with Lord Willoughby, and is gallant with Miss Yorke, Miss Carpenter, and all the Young Ladies. But the Character and Philosopher is what he seems to pretend to, and to be a good deal conceited of: the Others are put on to comply with Les Manieres du Monde, but that you are to suppose his real characteristic; and I can't but fancy he is a great Pretender in All kinds of Science, as well as that he really has acquired an uncommon Share in some.”

Put this all together, and it is very difficult to pin down any concrete information on him at all, making him almost like a literary character rather than a real person, and allowing people, in retrospect, to make up all kinds of wild tales about him as they see fit. There were also the many accounts of Comte de St. Germain being very skilled in many areas of the arts and sciences, far beyond what would be expected from someone having lived only one lifetime, his declaring himself to be hundreds of years old, as well as much testimony that he was an actual alchemist. There are quite a few unverified accounts of him turning metal to gold or creating perfect diamonds from impure ones, and even when he was officially alive, there were rumors that he had used these powers to prolong his own life, perhaps indefinitely. Indeed, there were many who claimed that over the years, he had not noticeably aged at all. 

This caused rumors that he had never really died at all, only moving on to take on another identity, perhaps even to New Orleans. Combine this with the enigmatic nature of Jacques St. Germain, all of the striking similarities, the mysterious crime, and his subsequent vanishing, as well as the bottles of blood, and you have a perfect storm for the creation of an eerie legend. Now it is quite possible that Jacques St. Germain was just what he seemed to be, merely an odd, rich fellow, nocturnal because of his hard-partying lifestyle, and that he had certain kinks, such as biting women’s necks and drinking wine mixed with blood, his freak flag flying high. Maybe he was afraid that he would be arrested, and that was why he skipped town, and his resemblance to Comte St. Germain was just a coincidence, but where’s the fun in that? Stories of ancient immortals and vampires are much more interesting, and this has caused the legend to grow.

In the end, although it is all a fascinating story, there is little to actually verify or substantiate any of it, which has indeed allowed it to become the pervasive legend it is today. Everything else has been obscured by murky history and countless retellings, making the truth evasive. The only thing we really know for sure is that both of these men were real and that they shared many similarities in both appearance and character. Other than that, we are left to wonder just who Comte de St. Germain really was and what connection he had to the mysterious Jacques St. Germain, if any. This probably is all merely a coincidence and misunderstanding colored by exaggeration, misinterpretation, and myth-making, but what if there really was an ageless vampire who made his way from the Old World to the New, to come calling at New Orleans? What if Comte de St. Germain really was an immortal, whether because of being a vampire or through some magical elixir of life? What if he is still out there now?

Another tale orbiting the topic of immortals is that of the seemingly mythical Fountain of Youth. The search for eternal youth and a fountain of youth is a frequent fixture of various myths and legends from around the world. One of the earliest accounts of such a place comes from the 5th century BC, when the Greek historian Herodotus wrote of a fountain in the land of the Macrobians, which gave the people of the region exceptionally long life spans. In the 3rd century AD, Alexander the Great was said to have searched for a fountain of youth, allegedly crossing a mythical land covered in eternal night called The Land of Darkness to reach it. The legendary Christian patriarch and king, Prester John, allegedly ruled over a land containing a similar fountain during the early Crusades in the 11th and 12th centuries AD. In Japan, stories of hot springs that can heal wounds and restore youth were also common and still are to this day.

During the Age of Exploration, when European global exploration took off in the 15th century AD, interest in such a mythical fountain of youth had not waned. The New World of the Americas began to be seen as a potential location for a fountain of eternal youth. The Caribbean, in particular, was considered a prime candidate, as many islanders spoke of a lost land of wealth and prosperity known as Bimini, which became entwined with the legend of a fountain of youth. The Fountain of Youth was a hot topic in those days. The Spanish historian, Lopez de Gomara, wrote of Indian accounts of a magical river, waterfall, or spring that could reverse aging and could be found in the lands north of Cuba and Haiti. Pietro Martire d’Anghiera, an Italian geographer living in Spain, in 1513 wrote of the fountain as well, saying:

“Among the islands of the north side of Hispaniola, about 325 leagues distant, as said by those who have searched for it, is a continual spring of flowing water of such marvelous virtue that the water thereof being drunk, perhaps with some diet, maketh old men young again”

During this era of exploration of the New World, it was indeed the Spanish who took a particular interest in such a mystical spring, after hearing widespread talk of Bimini and fountains of restorative waters from the Arawaks in Hispaniola, Cuba, and Puerto Rico. Florida was a land of many natural springs, and it was thought that one of these was the mystical Fountain of Youth of local legend.”

One name that has become inextricably linked to the quest for the Fountain of Youth is that of the Spanish explorer and conquistador Juan Ponce de León, who was the first governor of Puerto Rico and, in 1513, led the first European expeditions into what would become Florida. It was alleged that during his explorations of Florida, while looking to find lost gold and claim land for Spain, the explorer had the ulterior motive of finding the lost land of Bimini and thus the Fountain of Youth, which he was convinced existed. It was claimed that during his forays into Florida, the explorer would unofficially go off with a small contingent of men in an effort to locate the fountain.

Although Ponce de León became connected to and perhaps best known for his quest for the Fountain of Youth, it has long been debated as to just how much fact there is to this story. One of the problems lies in the fact that there are virtually no surviving records of the expeditions to Florida written by Ponce de León himself, and the fountain is not mentioned in any that do exist. Most accounts that we now have were actually written long after his death by native arrow in 1521. Nevertheless, historical references to the explorer’s obsession with the mythical fountain abound. One of the best sources of information on Ponce de León’s travels and search for the fountain is the writings of Antonio de Herrera y Tordesillas, who was the Chief Historian of the Indies in 1596. Amongst his accounts, Herrera wrote in his impressively titled record, Historia general de los hechos de los Castellanos en las islas y tierra firme del Mar Oceano, of Ponce de León’s quest:

“Juan Ponce overhauled his ships, and although it seemed to him that he had worked hard he decided to send out a ship to identify the Isla de Bimini even though he did not want to, for he wanted to do that himself. He had an account of the wealth of this island (Bimini) and especially that singular Fountain that the Indians spoke of, that turned men from old men into boys. He had not been able to find it because of the shoals and currents and contrary weather. He sent, then, Juan Pérez de Ortubia as captain of the ship and Antón de Alaminos as pilot. They took two Indians to guide them over the shoals… The other ship arrived and reported that Bimini had been found, but not the Fountain."

This seems intriguing, but considering that it was written over 70 years after the explorer’s death, one has to wonder how much veracity the account holds. This information could have been hearsay, and was probably second or third-hand information at best. An even earlier account in 1535, closer to Ponce de León’s death, was written by a court chronicler by the name of Gonzalo Fernández de Oviedo, in his book Historia General y Natural de las Indias, in which he mentions the explorer going off looking for the fountain using information gathered from the natives of the area. Oviedo’s report is difficult to take at face value for several reasons. It is said that the chronicler did not like Ponce de León and wrote the account in a way that suggests the explorer was trouncing off on a fool’s errand. In short, it is believed that the whole story written by Oviedo was an attempt to gain favor with the courts and was a political attack designed to discredit Ponce de León and basically make him look like an idiot. Oviedo even went as far as to suggest that Ponce de León’s quest for the fountain was part of a misguided attempt to cure his sexual impotency. Ouch. The political animosity between the two was understandable, since Oviedo was in with Diego Columbus, who had helped to push Ponce de León out of Puerto Rico and just so happened to be the son of none other than Christopher Columbus. Due to this underlying rivalry, it is hard to know how reliable Oviedo’s account is.

Other historical accounts also make mention of Ponce de León’s quest for the Fountain of Youth. In Francisco López de Gómara's Historia General de las Indias of 1551, the author describes Ponce de León’s search for the fountain. In 1575, the author Hernando D'Escalante Fontaneda wrote in his memoir that the Fountain of Youth was located in Florida and that the Spanish explorer had gone looking for it there. Fontaneda claimed to have been a prisoner of local natives for 17 years as a boy, and described the Indians as making use of a lost river that contained curative water, which he says Ponce de León was looking to find. Fontaneda’s account has a very skeptical feel to it, and the author seems to doubt that finding the fountain was the explorer’s first priority.

Although there is a certain romantic element to the idea of Ponce de León going off in search of fabled lands and mystical springs in the jungles of ancient Florida, it is uncertain if it ever happened at all. In the end, we are left with scattered historical documents that were written after Ponce de León’s death and none of which were written by the explorer himself, leaving his true intent and what really happened lost to the mists of time.

This uncertainty regarding the historical quest for the Fountain of Youth has not stopped the legend from enduring. Some even claim that the explorer was successful in his mission, indeed, possibly still alive somewhere out there, enjoying his perpetual youth. To this day, there is a spring said to be the actual one that Ponce de León was searching for in St. Augustine, Florida, which is said to be the oldest city in the U.S. The Fountain of Youth Archaeological Park in St. Augustine has become a popular tourist destination, where visitors can drink cups of water from the fabled spring. The park has seen various important archeological finds, such as an ancient cemetery and the ruins of missions dating back to the city’s founding. Although the site undoubtedly has historical value, the elderly people who come to visit in droves have yet to miraculously regain their youth, and it is doubtful if Ponce de León ever even set foot in St. Augustine.

Whether Ponce de León ever really did search for the Fountain of Youth, there have nevertheless been stories over the years of those who have claimed to have found it. In 1989, the author Charlie Carlson allegedly interviewed a man who claimed to be a member of a secret society that had located the Fountain of Youth and was tasked with protecting it. The interviewee claimed to be 93 years old, whereas Carlson described him as looking around 40. The man claimed that the fountain had been found sometime before 1845 and that it was his society’s duty to make sure that it remained secret from the world. This anonymous informant reportedly offered proof to back up his claims in the form of census records for all of the members who had lived past 110 years old, of which there were quite a few. Some had apparently lived to be up to 122 years old while appearing to be much younger. Although many had died in accidents such as drowning, against which the magical waters offered no protection, not a single one was found to have died of old age. Is there really a secret cabal of immortals out there who have drunk from the fountain and have pledged to eternally hide its secret? Nobody knows.

While in modern days it will likely be genetics and stem cells that lead to prolonged life, mankind’s quest for immortality is not new and has taken many forms through the centuries, with various elixirs, magical charms, and famous artifacts such as the Philosopher’s Stone all reputed to grant everlasting life. Perhaps in the case of Florida's Fountain of Youth, there may be such a place tucked away among the many springs that are to be found here. Whether it is there or not, it is intriguing to imagine such wonders, and there will be those who will search no matter what, enamored with the notion that it could be possible to live forever if only they could find it. Maybe there are even those who already have.

Lying off the southernmost point of Europe is the tiny, picturesque Greek island of Gavdos. It is an isolated speck of land jutting out of the Libyan Sea near its larger brother Crete, only about 30 square kilometers in size and sparsely populated, with more goats meandering around than people, all surrounded by azure waters inhabited by dolphins and myriad sea life. It is a place of stunning beauty and has been a magnet for people looking to get away from society and immerse themselves in this dream-like place. It is also the home of a mysterious group of people who claim immortality, and go about their enigmatic business amid the breathtaking scenery, far from prying eyes. In Greece, this has become a place of mystery and is known as the haunt of a secretive cabal of immortals.

To understand how this came to be, we have to go back to an at first seemingly unrelated and tragic event in history. One of the worst nuclear plant disasters ever recorded in history occurred in Ivankiv Raion, of northern Kiev Oblast, Ukraine, in the city of Pripyat, in what was at the time the Ukrainian Soviet Socialist Republic of the Soviet Union, near the border with Belarus. It was here where on 26 April 1986, a catastrophic nuclear accident occurred at the Chernobyl Nuclear Power Plant, which would claim the lives of 31 people, plus many more in later years, send radioactive material spewing all over the western USSR and Europe, clear the immediate region of most of its inhabitants, affect nearly 7 million people, and cause environmental and health problems that still echo through and affect the area today. Among all of the human suffering and trying to piece together what happened, many people were left sick and aimless, and one of these was a man only known as Andrei.

Andrei had been a nuclear physicist in his past life before all of this, sent to Chernobyl in the aftermath of the catastrophe to do research. Unfortunately for him, he got very sick from the considerable radiation there in that forsaken place, finding himself in a facility full of moaning, dying people like him. Death was everywhere at the time, hanging over everything like a black fog, and Andrei knew that no amount of medical care or medicine was going to help him. He had an epiphany and realized that the only way to beat this condition was to turn to other means. At first, this involved simply moving away to a rural village and living a simple life of work, sweat, and drinking lots of vodka, all of which he would claim helped flush out the toxins from his system, and then his mind turned to more esoteric means of extending his life and indeed achieving immortality. He began to gather about him a following of others like him, many of them other Russian scientists and colleagues, and they began to study philosophy and esotericism to form a way of thinking in which hard work and a tough mind could alter the abilities of their own bodies through sheer will. They believed that through willpower, meditation, and shucking off our traditional ideas on life and death, we can essentially reprogram our physical bodies to never die.

After 10 years of this, the group had grown to around 30 members, and it was decided that they needed a place where they could live away from the world to pursue their way of life, and they found it on the island of Gavdos. In the late 1990s, they relocated to the island, which at the time had only a transient population of dreamers, drifters, artists, and hippies, and set up a sort of self-sufficient commune, growing their own food and living off the land. They also built mysterious laboratories where they went about experiments, even at the same time that they performed rituals or ceremonies, all shrouded in secrecy and mystery, their ultimate goal -- immortality. They believe that through their various activities, they can reach the next stage of human evolution, in which life eternal is possible, and it would be only the world and them. One of the members of the commune has ominously explained, “There won't be any new generations. We are the last generation. We won't permit the birth of people who are mortals. They are not needed.”

As soon as the group arrived, which is actually usually referred to as simply “The Group” or “The Russians,” they immediately began gathering an air of mystique and legend about them. Rumors began to fly about, all fueled by the group’s secrecy and the strange structures they built, such as a large, green pyramid that sits among the scrub and foraging goats like some inscrutable ruin from an ancient civilization. Another is a building built in the style of an ancient Greek temple covered with cryptic glyphs, which was erected much to the chagrin of the other islanders. People began talking about how this mysterious group would perform miracles around the island and demonstrate magical feats, or how they were building an underwater tunnel that would lead to Libya. One resident gives an anecdote of the group’s strange powers:

“One day, someone from the neighboring village asked us to help them move a heavy tree trunk. Six of us tried to get the piece into his truck, in vain. Then, two really skinny men came. They just said, ‘OK, let's do this.' And they did.”

There are so many stories and rumors that it is hard to know where any real facts end and fantasy begins. Norwegian filmmaker Yiorgos Moustakis, who has made a documentary on the island and its mysterious group, has said of these rumors:

“Many urban legends surrounded this group. Some thought that they came to this island to get cured from radiation. Others were saying that they are spies working for the KGB or CIA, working on a top-secret program. Most of these stories were told by people who had already met them and had seen their constructions around the island.”

Although their exact methods for achieving their goals are not clearly known, it is mostly thought that the group’s ideology is a sort of hodgepodge mix of simple living, magical ceremonies and rituals, religion, esoteric philosophies, and scientific experiments and research, through which they aim to reprogram the human body and reach the immortality they think resides within us all. To them, death is not inevitable, and it can be warded off or even stopped. The members themselves are very cryptic and secretive about it all, with one commune member explaining in an interview with Worldcrunch:

“Our bodies present so many possibilities of change that we don't use. Why? Because we create a lifestyle in which change isn't needed: a dead world that viciously influences us and turns us into dead people. We think that is the true fundamental reason for death, the starting point of what we call psychological destruction. I used to work in a research center, and I saw my whole future ahead of me. I realized it was controlling me and driving me towards a certain kind of death. So I decided to change course, to not follow that path and to create a different way of life for myself."

Just how they exactly plan to do this is murky, although many people have tried to figure it out, and there were even supposedly intelligence agents who have tried to infiltrate the group to find what they are up to, without much success. The closest anyone has come is perhaps the filmmaker Moustakis, who believes that the group, which it must remember is composed mostly of former scientists, is not quacks or religious nutjobs and that they know what they are doing. He has said of this:

“It is a huge study. The proof you are asking lies inside this study in the same way that the proof of, let's say, Einstein's relativity theory lies in the maths. In the case of the relativity theory, of course, it was experimentally proven later on in labs–the CERN accelerator, etc. But first, before this theory was tested in practice, it needed a working theoretical framework. To put it another way, yes, [the scientists] definitely have a theoretical framework that works.”

What is this mysterious group up to out there? What secrets have they found, if any? Mysterious groups like this have always been attracted to stories of the bizarre, and they often sort of become larger than life, to the point where it is hard to disentangle fact from fiction. Whatever they are up to and whoever they are, they still seem to manage to keep their secrets out on that little island surrounded by deep blue seas, and depending on how successful they have been, perhaps they always will.

Are any of these stories true? Are there people out there who have somehow managed to cheat death and escape its inexorable approach? How much truth do these stories hold, and where does reality begin and fantasy end? Whatever the case may be, it all shows that people are, and probably will always be, interested in the alluring idea of somehow avoiding the inevitable approach of death. 

In an article titled Predictive Programming by Dahria Beaver of Ohio State University, it is written that:

“Predictive Programming is the theory that the government or other higher-ups are using fictional movies or books as a mass mind control tool to make the population more accepting of planned future events.”

Researcher Alan Watt, arguably the first person to highlight Predictive Programming, described it as:

“…a subtle form of psychological conditioning provided by the media to acquaint the public with planned societal changes to be implemented by our leaders. If and when these changes are put through, the public will already be familiarized with them and will accept them as natural progressions, thus lessening possible public resistance and commotion”.  

Movies and television shows have long been recognized as powerful tools for shaping public opinion and influencing cultural norms. With their wide reach and ability to evoke emotional responses, they provide an ideal platform for disseminating messages – whether overt or covert.

In the context of predictive programming, filmmakers and showrunners may incorporate elements that reflect emerging societal trends, technological advancements, or geopolitical developments. By presenting these ideas in a fictional context, they can gauge audience reactions, plant seeds of thought, or even acclimatize viewers to certain scenarios.

Of course, as we might imagine, the notion of Predictive Programming is very much a subject of debate, with as much opposition to it as there are believers. It is, though, fascinating and concerning in equal measure—the idea that our perception of the world around us could be being shaped without us even realizing it.

A great place to start would be with the 1999 movie Eyes Wide Shut, which is awash with Masonic symbolism and appears to lay bare the workings of the so-called Illuminati. And when we consider that the film’s director, the great Stanley Kubrick, passed away just after the first screening of the film in what, to some, were slightly suspicious circumstances, then the film’s symbolism and subject matter should perhaps be examined a little more closely.

Perhaps the best place to start would be with the film’s director, Stanley Kubrick, or more specifically, his sudden death only days after the first viewing of the film. Officially, Kubrick died from a sudden heart attack, but many people believed his death was more than coincidental, especially when rumors began to circulate of scenes being cut from the film in the weeks that followed his demise.

It was said by some that many of the people in attendance at that viewing belonged to “the elite” and that after viewing the offering from Kubrick, they immediately went on a “damage limitation” mission.  It was further put forward that they knew Kubrick would not be cooperative in terms of cutting scenes away from the film, and so, ultimately, he was murdered, with his death made to look like a heart attack.

It is worth noting here, as bizarre as it sounds, that the idea of murdering a person and having it appear to be a heart attack is not that much of a stretch of the imagination. During the 1975 court hearings brought against the CIA following an investigation by the New York Times, one of the secrets of the agency, among many that were laid bare, was a weapon labeled the “heart attack” gun. This weapon fired a pin-sized shard of ice with a highly poisonous substance encased inside. When fired, the pin-sized shard of ice entered a person’s body and then immediately melted, releasing the poison and so causing a heart attack. Not only would it be highly unlikely that a mark would even be found on the body, even if it was, but there would also be no trace of the poison left to detect.

Whether it is correct to be suspicious of Kubrick’s death or not remains a matter of debate, at least to some, although it should be said, even though it wouldn’t be impossible, it is unlikely. And officially, while some changes were made in the months following his death, they were said to be more editing and cosmetic changes as opposed to the removal of scenes. As we might imagine, not everyone was convinced. We should also note that Kubrick was known to work on his films right up until the very last minute, even after public screenings, so it is not that much of a surprise that some cosmetic changes were still required.

That said, however, there are many other reasons that such ominous conspiracies surround the film, and that its purpose was to expose the underbelly of society’s elite. Indeed, the Illuminati and the conspiracies that have surrounded them, whether purely for entertainment or to shine a light on their chilling activities, run throughout the film right from the start.

The movie revolves around the main protagonist, Dr. Bill, played by Tom Cruise, who, through his job, mixes with several “high-ranking” members of society. We immediately see references to Freemasonry and suggestions of conspiracies connected to the Illuminati. For example, in the opening scenes of the film, we see Dr. Bill’s wife, Alice (played by Nicole Kidman), getting dressed, something she does while standing between two large stone pillars, which are said to represent the Masonic pillars, Boaz and Jachin. The Star of Ishtar is also seen at various times during the film.

As the film progresses, through a chance encounter with an old friend, Dr. Bill learns of a secret party for members of the elite, and manages to bluff his way inside to what is quickly revealed to be some kind of Illuminati-style sex party. He is quickly discovered during some kind of ritual, threatened, and thrown out. During this scene, where Dr. Bill is eventually uncovered as being an uninvited guest, there are multiple Masonic symbols on view. The leader of the ritual, for example, sits upon a throne that contains a double-headed eagle with a crown resting between their heads. While it could be a coincidence, the 33-degree Scottish Rite Freemasons use an almost identical double-headed eagle in their emblem.

Following this, his life begins to unravel somewhat. Furthermore, he begins to notice strange behavior and symbols all around him that he had previously been blind to. By the end of the movie, it is all but confirmed to him that elite secret societies exist and that they control the police, politicians, and even the media.

For example, one of the “sex slaves” in the film is seemingly murdered, but her death is reported in the newspaper as a “drug overdose”. This is exactly what many conspiracy writers have claimed happens to “mind-controlled sex slaves” after they have fallen out of favor with their elite masters. Even the constant references to rainbows (which we will return to shortly) are said to be a symbol of the MK-Ultra mind control techniques that some say continue secretly today.

It is further intriguing that the building where this bizarre party takes place appears to be a depiction of an infamous ball held by the Rothschild family, specifically, a ball held by Baron Guy and Baroness Marie-Helene de Rothschild at their mansion, the Chateau de Ferriers, just outside of Paris in France in 1972. We know about the surreal affair due to photographs that have since been leaked online with the arrival of the Internet. And these pictures are a combination of bizarre and morose imagery. Attendees, for example, are wearing bizarre masks ranging from chilling animal heads to pretend cages. There are also many broken children’s toys – including dismembered dolls – scattered around the many long tables, with some of these tables featuring naked mannequins upon which food is presented. The mansion was also bathed in an artificial red glow in the real-life gathering in 1972 in order to depict it being in flames. What’s more, the secretive nature of the party in the film was very real in real life, with the invites for the Rothschild party not only written in code, but written backwards so they could only be read and understood by viewing them in a mirror.

If we return to when Bill first tricks his way inside the party, we can see more references to mind control and the use of “sex slaves”. For example, he is almost immediately greeted by two “Monarch Presidential” models, which, according to some, are references to mind-control subjects who have been “trained” through mind-control techniques to be subconscious “high-level sex slaves” who also act as carriers of information between the world’s elite. It is during this scene that one of many references to rainbows is used (another apparent indicator of mind-control programming), where Bill asks one of the girls where they are going, she replies, “where the rainbow ends”, before the second girl asks, “Don’t you want to see where the rainbow ends?” There is also, incidentally, an apparent overuse of mirrors throughout the movie, said by some researchers to be yet another suggestion of mind-control.

If we stay with the notion of sex slaves a moment longer, there are a number of “scarlet women” who are involved with Dr. Bill throughout the movie. As well as the “sex slave” who is eventually murdered (or overdosed) and has noticeable scarlet hair, Dr. Bill’s wife, Alice, and their daughter both do. Another particularly eye-opening scene occurs towards the end of the film, following the discovery of one of the women at the secret party – a prostitute whom Dr. Bill had become friendly with beforehand – is discovered dead, an apparent drug overdose. Although it isn’t outright said, it is heavily implied that the woman was murdered and her death was simply made to look like an overdose, and her death was reported as such in the media. A friend of Dr. Bill’s – himself a member of the elite in question and in attendance at the party – claims that the high-ranking members of these secret societies control the police, politicians, the media – essentially, all aspects of modern life. In short, if the powers that be – the elite – wanted to have someone murdered and have their death look like an overdose, a suicide, or even a tragic accident, they could do so easily. While this might sound a little outlandish, we should perhaps not underestimate the notion that a person’s murder – if such control was extended over almost every facet of society at one level or another – could be made to appear accidental or even from natural causes, which is not at all that much of a stretch of the imagination.

Was Eyes Wide Shut a warning to society as a whole of an “elite” force all but ruling over us? One that remains almost untouchable through their discreet control of all aspects of modern life? Or was it purely entertainment from the wild and productive mind of Stanley Kubrick? Incidentally, Eyes Wide Shut is far from the only Stanley Kubrick film to have featured heavy Masonic symbolism. In fact, most of his movies feature some kind of symbolism buried in certain scenes, from The Shining to 2001: A Space Odyssey.

It certainly might make us think that we are not always watching what we think we are watching.

There are many other thought-provoking claims regarding hidden messages buried within blockbuster movies. Although there were no apparent predictions made, it is worth our time briefly exploring the 1982 blockbuster movie ET: The Extraterrestrial, or more specifically, a remark made by (then) President Ronald Reagan following a private screening of the film in the White House, a remark that was corroborated by the film’s director, Steven Spielberg, who the comment was made to. Reagan was said to lean over to Spielberg and offer “how surprised” people would be if they realized “how true all of this is”, nodding to the screen.

Years later, during promotional work for his film Super 8, Spielberg was asked about the comment. Not only did he confirm that it was true, but that what the president had said to him was, “there are a number of people in this room who know that everything on that screen is absolutely true”. Spielberg caveated his response by saying that he took President Reagan to be “having a joke” with him. However, we might imagine, especially given some of Reagan’s other remarks about UFOs, including his own encounters, that he was entirely serious.

It has been claimed that ET is based loosely on the Roswell crash. If this is the case, what is interesting is that rumors have swirled for years in UFO circles that not only were several alien entities recovered from the crash at Roswell in the summer of 1947, but that at least one of these entities was alive and survived for several years before being returned home as part of some kind of cosmic exchange.

In light of his alleged comments to Spielberg, it is worth staying with the legendary filmmaker a little while longer, and specifically, his 1977 blockbuster, Close Encounters of the Third Kind. According to some, the movie hints at the truths of an alleged secret meeting between (then) President Eisenhower at an air base in California in 1954 (at a time when he was officially undergoing emergency dental surgery) – a meeting that resulted in a human/alien exchange program, said to have existed in real-life under the name Project Serpo. Indeed, we might ask, as speculative as it might be, if there is any truth to the reality of the events depicted in ET, could this be the same for Close Encounters of the Third Kind?

It is also worth mentioning 1994’s Stargate, which leans heavily on the ancient astronaut theory, specifically, in this case, that there was some kind of extraterrestrial intervention with the ancient Egyptian civilization. While this is a purely fictional account, the idea of such alien intervention in the distant past is one that has gained widespread traction among the world’s population since the 1970s. Again, while it is pure speculation, is Stargate hinting at the accuracy of such theories? We should also note that very similar themes of alien intervention in the distant past are explored at length in the film Prometheus, the Alien franchise prequel movie released in 2012.

While the Disney franchise is harmless enough to many, conspiracies about hidden messages in its films and television shows have swirled for years. Everything from hidden sexual imagery to messages hidden in plain sight has been discussed in conspiracy circles. And while we should treat such claims with caution, it is easy to see why they would gain traction.

If we take the logo of the Disney corporation, for example, we can see, according to some people, the number “666” with the curves of the logo’s writing - one in the “W”, one in the “I-dot”, and one at the top of the “Y”.

Perhaps one of the most well-known conspiracies of symbolism and hidden messages in Disney films and shows can be found in an episode of Duck Tales. The scene takes place in a doctor’s room, where an eye-chart can be clearly seen in the background – so clearly, in fact, that in a triangular formation, the letters spell out the phrase, “ASK ABOUT ILLUMINATI”. As well as the direct message itself, the fact that the letters are in a triangle (or pyramid) shape, as well as that they are on an eye-chart (a reference to the all-seeing eye), is a great example of how such messages and symbolic meanings can be hidden in plain sight.

There are also other discreetly hidden words, pictures, and even audible phrases. Many adults have always picked up on the innuendos and double-entendres to be found in the scripts, and many others have spotted suspiciously shaped items in the background of many otherwise innocent scenes. There are some, though, that stand out.

For example, in the 1994 film The Lion King, during one scene, the main character, Simba, collapses on the ledge of a mountain. As he does so, dust flies into the air. As it disperses into the night sky, the word “SEX” is clearly spelled out. It is there with no context, and it is arguably astronomically low that the word would have been spelled out by chance. We have to ask, other than for the creator’s own amusement, why this was included.

A similar, although altogether more graphic image can be seen in The Rescuers from 1977. In one scene, in the background, a topless woman can be seen in one of the windows of the overlooking buildings. While this was likely missed by almost everyone, even the children, subliminally, the image would have registered. Incidentally, following the image becoming widespread knowledge, the Disney company attempted to recall around four million copies of it, eventually releasing the movie again in 1992, this time without the topless lady present.

While those examples might make us scratch our heads a little, the third example is a little more concerning. In the 1992 film Aladdin, during a scene where Aladdin is fending off an attack from Jasmine’s tiger, Raja, he goads the beast by saying, “Come on, good kitty….take off and go”. However, some viewers began to hear something else, and when the scene was analyzed, another, muffled voice was heard to say, “Good teenagers, take off your clothes”. As we might imagine, many people were more than worried about this allegedly hidden message, with some beginning to question just why these hidden images, references to sex, and even subliminal sexual instructions were being placed in such movies, much less movies aimed predominantly at children.

The rumors of Masonic, Illuminati, and even Satanic connections to Disney only increased when, in 2019, the former Vice President, Michael Laney, was sentenced to six years in prison for sexual offenses against a 7-year-old girl. Following the conviction, another potential victim came forward with similar accusations, but there wasn’t enough evidence to proceed with charges.

Only the previous year, in 2018, Disney actor Stormy Westmoreland was arrested on suspicion of similar crimes involving a minor. Not only did he send inappropriate photographs to what he thought was a 13-year-old boy (who was, in fact, police detectives posing as such), but he also attempted to lure the youngster to his hotel room. He was eventually sentenced to two years in prison after he entered into a plea deal. In March 2022, four Disney employees were arrested on human trafficking charges as part of an undercover sting operation in Florida, at least one of whom was involved in sending inappropriate photographs to a teenage girl.

While these crimes have been carried out by individuals and not by the corporation itself, it certainly doesn’t help when considered alongside the conspiracies of such things surrounding their name, especially when many of those images, symbols, and apparent innuendos are of their own making.  

As we know, there are a plethora of conspiracies surrounding the 9/11 attacks in September 2001, so it should perhaps not surprise us that there is also an abundance of claims of predictions of the atrocities within blockbuster movies and even television shows. What makes these fascinating conspiracies even more nuanced are alleged Masonic references and symbols often also found, sometimes in the artwork associated with the respective film or sometimes within the films themselves. One thing is clear, coincidence or not, there are apparent references to the 9/11 attacks in multiple films and have been for decades.

In the 1988 20th Century Fox film Die Hard, for example, the film’s opening lines appear to reference 9/11 when Bruce Willis’ character, John McClane – traveling by airplane at the time, incidentally - speaks with another passenger about his fear of flying, with each then discussing how they cope with such fears. The passenger states he has used his particular method for nine years, while McClane (Willis) states he has been using his for 11 years. While it might be tentative, to some, this reference to 9 and 11 in association with flying on an airplane is a clear reference to the upcoming attacks.

These claims are seemingly taken up a notch when it is pointed out that McClane fights with terrorists in a tower in the first film (the fictional Nakatomi Plaza) before battling terrorists at an airport in the second movie. And if that wasn’t enough, some people have pointed out alleged Masonic symbolism on the promotional artwork and cover for the original Die Hard video release, which shows one of McClane’s eyes covered over, leaving the other to represent the all-seeing eye.

Two years later, the sequel to the blockbuster Gremlins was released, Gremlins 2: The New Batch, by Warner Bros. During a scene in the movie, following the shutting down of a tower, no less, due to the “new batch” of gremlins escaping and causing havoc, two reporters speak to a police spokesperson outside the building. The numbers on their microphones are none other than 9 and 11.

Another intriguing connection to the 9/11 attacks, with a particularly harrowing backstory, can be found in the 1990 comedy released by Universal, Problem Child.  The film follows the antics of the Healy family, who live at number 911. As a backstory to this – and one we should treat with extreme caution – one of the main actors in Problem Child was John Ritter. Ritter died suddenly in 2003 on September 11th, which is most likely nothing but a coincidence, but is certainly a little eyebrow-raising.

The following year, in 1991, one of the biggest movies of the year, Terminator 2, was released. During one of the scenes featuring the young John Connor and his protector from the future (played by Arnold Schwarzenegger) being chased through Los Angeles, the pair approach a bridge. As they pass under it, a sign reads: “CAUTION 9’-11”. Of course, this is the maximum height of the vehicles able to pass beneath the bridge. The fact that this just happened to be 9/11, though, was too much of a coincidence to some.

Two years later, in 1993, the Super Mario Bros movie was released, and a scene at the end of the film appears, at least to some, to be a direct warning of the events to come. This scene comes towards the movie's end and shows the merging of two dimensions. At the start of this merging, the Twin Towers are clearly visible in the background. However, as the dimensions merge, the towers fall to the ground. Furthermore, as this happens, a plane is seen flying past where the towers would have been.

Another blockbuster movie—Independence Day, released in 1996—also discreetly references 9/11. During a countdown sequence, the screen shows the clock, which just happens to be at 09:11:01. To some, this is not only another reference to 9/11 but even shows the year 2001 in the seconds column. The following year, in 1997, the film The Peacemaker, starring George Clooney, was released. In one scene, Clooney can be seen standing in the middle of two platform signs—one being 9 and the other 11. The same year, an episode of The Simpsons sees the family travel to New York, with one scene showing Lisa Simpson holding up a magazine that reads, “NEW YORK, $9” – part of the background of the magazine features the silhouette of the Twin Towers, which when factored into the cover, makes it read, according to some: “NEW YORK ($)9-11”. It is interesting to note that The Simpsons have also had several other scenes in various episodes that appear to have accurately predicted future events, an entire article of which could be dedicated to.

The disaster movie Armageddon was undoubtedly one of the biggest blockbuster films of 1998, and it too had an apparent reference to 9/11. Towards the end of the film, there is a countdown scene (similar to Independence Day). At the exact moment, we see the clock on the screen, it is displaying 9 minutes and 11 seconds (9:11). In the film Enemy of the State – also released in 1998 – we see the details of one of the characters on the screen, Thomas Brian Reynolds, whose date of birth is clearly displayed as 9-11-40. In 1998’s Godzilla, there is a scene featuring a character looking at his watch. Although the time is 8:55, the little hand of the watch is on the 9 while the big hand rests on the 11.

A similar display of 9/11 can be found in The Thirteenth Floor, released the following year in 1999. During one scene, a clock on the wall can be seen set at 11:45. This time, the big hand is on the 9 while the little hand is on the 11. Yet another reference can be found in The Bone Collector, released in the same year, where the protagonist, played by Denzel Washington, is seen looking at a piece of paper that is from page 119. What’s more, the date is shown as 11/9. While these alleged references are seemingly backward (119 instead of 911), some researchers offer that many Masonic and Illuminati symbols are to be read backward, and so assert their connection to 9/11, in this instance, is perfectly valid. Also released in 1999 was the blockbuster movie The Matrix, starring Keanu Reeves. During a scene in the film, the main protagonist, Neo’s (played by Reeves) passport is shown. The date it expires is clearly seen to be September 11th, 2001. Like many of these apparent references to 9/11, this could be purely a coincidence, but it is certainly interesting that this, of all dates, was decided upon.

There are several films from 2000 that also appear to make reference to the September 11th attacks. In the movie Traffic, for example, a scene shows a delivery of boxes – all of which have the number 911 stamped upon them. There is also a scene in The 6th Day starring Arnold Schwarzenegger, who, during one particular scene, checks his schedule – the only times visible on the screen to the viewer are 9:00 and 11:00. Yet another 2000 film with apparent references to 9/11 is The Patriot, starring Mel Gibson. The opening scenes of the film feature Gibson’s character weighing a chair, during which he says: “Nine pounds, 11 ounces. That’s perfect. Perfect!” Perhaps most intriguing of all, however, is an episode of The Lone Gunmen that aired on FOX in March 2001 – only six months before the terrorist attacks. The plot of the episode follows the events of September 11th, 2001, almost entirely, featuring the hijacking of an airplane by terrorists who then crashed it into the World Trade Center.

It is also worth mentioning several intriguing points about the first two Back To The Future movies, released in 1985 and 1989, respectively, both of which appear to have suggestions of the eventual harrowing events of September 11th, 2001, as well as what appears to be several outright warnings.

In the first movie, for example, towards the climax of the film, where the main protagonist, Marty McFly (played by Michael J. Fox), is preparing to time-travel back to 1985 from 1955, he calls out to his friend, Doc Brown (played by Christopher Lloyd), that he has to “warn him about the future”. As he utters this line, the hands of the town clock are locked on the 9 and 11 positions. Furthermore, when lightning strikes the clock tower – the power of which the pair are going to use to kickstart their DeLorean, or time machine – the time is 9:59. Although it is a little bit of a reach for some, others point out that the first World Trade Center tower collapsed at 9:59 (although it did so in the morning not at night, as per the time in the film).

There are also other apparent warnings, ones that rely on the “reverse symbolism” of many secret societies. Perhaps the best example would be earlier in the movie, right before Marty McFly travels back in time for the first time. He and Doc Brown are at Twin Pines Mall, a location referred to repeatedly throughout the film, and which, to some, is a reference to the Twin Towers. During this scene, Doc Brown is gunned down by “terrorists” due to his “ripping them off” for the plutonium he required to power the DeLorean. The exact time Doc. Brown was shot – which again is referenced several times throughout the movie – was 1:16 am, which, to some people, when using reverse symbolism, is a reference to 9/11 (when viewed upside down or back to front).

Even stranger, if we subscribe to these theories for a moment, is that when Marty returns to the mall at the end of the movie following his arrival back from 1955, the area is now mysteriously called the Lone Pine Mall. Although this is due to one of the two pines referenced at the start of the film having been destroyed by Marty’s actions when he traveled back in time, to some people, it was a reference to the destruction of the Twin Towers and their replacement with the One World Trade Center in their place.  

The second movie also features another apparent warning of the Twin Tower attacks. This time, Marty and Doc Brown travel forward 30 years to 2015, with Marty eventually finding himself in the home of his future self. During this part of the film, we can see that the blinds on the McFlys’ windows show the world scenery instead of simply being blank. One of these scenes shows a bright, sunny day in New York, with the typical New York skyline – including the Twin Towers – being clearly in view. As part of the story, the blinds are faulty and constantly flicker out of view. According to some people, though, this represents the Twin Towers falling to the ground, particularly when viewed upside down (reverse symbolism once more). What’s more, they claim we, the audience, are alerted to this by the fact that the future version of Marty McFly views these blinds while upside down in some kind of futuristic medical device (due to having hurt his back).

Whether or not these references and symbolism are nothing more than coincidence remains open to debate, at least to some. The many tentative references to the Twin Towers, though, are certainly worth pondering.

Arguably, one of the earliest films to allegedly reference the September 11th attacks on the Twin Towers was released just short of 20 years earlier, the Eddie Murphy and Dan Ackroyd comedy, Trading Places. And these references appear right from the opening credits of the film. During the movie's opening minutes, we see a shot of a homeless man who has newspapers blowing around him on the cold Philadelphia streets. We see enough of these newspapers to see the numbers 9 and 11 in one of the headlines.

Without a doubt, however, it is as the film reaches its climax that the two protagonists – Billy Ray Valentine (played by Eddie Murphy) and Louis Winthorpe III (played by Dan Ackroyd) – approach the stock exchange in the Twin Towers to wreak their revenge on the Duke Brothers. As they step out of the taxi outside the building, the apparent phone number of the firm has a combination of 0s, 9s, and 1s. Given that 0s are generally not recognized in such symbolism, the only numbers left are 9s and 1s – or 9, 11.

Even more thought-provoking is a line spoken by Winthorpe moments later as the two men set out towards the building, when he states to Valentine:

“Nothing you have ever experienced can prepare you for the unbridled carnage you are about to witness…In this building, it’s either kill, or be killed!”

In the context of the film, Winthorpe is referring to the cut-throat nature of the stock exchange and the trading of commodities. However, some researchers question whether this line might have a secretive, double meaning. Only moments later in the film, as the stockbrokers wait for trading to begin, we can see a clock on the wall with its hands firmly set towards the 9 and the 11.

What makes these apparent references to 9/11 even more intriguing, and indeed unsettling, is an interview given by the film’s director, Aaron Russo, 24 years after the release of Trading Places in 2007 (and only several months before his death from bladder cancer on August 24th, 2007).

We should note that the interview in question was given to Alex Jones – an undoubtedly divisive character and one whom many people, even in conspiracy circles, simply don’t trust (largely as a result of recent court battles and seemingly baseless statements). We might also note, though, that it could be argued that during the earlier part of his career in conspiracies, Alex Jones is seen as being considerably more credible than he might be viewed in more recent years.

In the interview, Russo claimed that he had prior knowledge of the September 11th attacks following a conversation with Nick Rockefeller 11 months before the atrocities took place. Essentially, Russo claimed that the 9/11 attacks were planned, and the reason for doing so was to create such fear and anger in the American public that they would eagerly back war in oil-rich lands in the Middle East and Asia. Perhaps most chilling of all, this would be an “endless war” that would see the military “looking in caves for people” who simply weren’t there and against “no real enemy”.

Although Russo was specifically told the Twin Towers were the target, he was told that “an event” would happen in less than a year that would result in the American military invading Afghanistan and then turning their attention to Iraq in order to “take over the oil fields and establish a base in the Middle East” – a base, incidentally, that sits next to another long-term foe of the United States, Iran.

It is also interesting to note here one of the first official projects following the American occupation of Afghanistan, following the 9/11 attacks, the Afghan Oil Pipeline.

In truth, the pipeline had been proposed by the company Unocal since at least 1997. The plans would see a pipeline stretch from Turkmenistan through Afghanistan to the Arabian Sea. Training forces were even dispatched to the region to train workers for the project. However, the deal was forcibly called off due to intense pressure from women’s rights activists who opposed any deals involving the Taliban regime. Once the US military machine turned its attention to Afghanistan following the 9/11 attacks, the deal quietly went ahead as part of the “rebuilding” projects.

What is perhaps of most interest about Unocal is the connections the company has to Dick Cheney. Coincidentally or not, Cheney would serve on the administration of Bush Jr when work on the pipeline finally began. Who benefits? The same rich businessmen are connected to an organization named The Carlyle Group. And to understand the significance of this and why Russo’s claims are so interesting, we need to go back to the late 1970s.

During this time, George Bush Sr was in charge of the CIA. His son, meanwhile, George Bush Jr., was venturing into the oil business. He would set up Arbusto Energy. This would attract several wealthy Saudi businessmen through a mutual associate, Jim Bath, whom we will look at shortly. One of these Saudi businessmen was Salem bin Laden, brother of the now infamous Osama bin Laden.

Jim Bath had been an associate of Bush Jr. since their time at the Texas Air National Guard. This placement may be questionable in itself to some, but it would keep both men safe from the draft and out of the Vietnam War. Bath would go on to develop connections in many areas, including the CIA, which would see him as an “asset”. He would also act on behalf of wealthy Middle Eastern families and be their representative as far as business interests in the United States. One of these was the bin Ladens.

Arbusto would eventually become bankrupt and would be taken over by Harken Energy in the late 1980s. This takeover would eventually lead to one of the biggest financial scandals in American history. It also came at a time when Bush Sr. was about to become President of the United States. The underwriting of the takeover of Arbusto by Harken Energy (of $25 million) was performed by the Bank of Credit and Commerce International (BCCI). The move raised an eyebrow or two, as many people connected to BCCI were the exact same people connected to Arbusto Energy. Many of these same investors, according to details in the book The Terror Conspiracy by Jim Marrs, including George Bush and other members of the Bush family, as well as the bin Laden family, were also members of a private equity company, The Carlyle Group.

By 1991, the BCCI was under investigation for money laundering activities and was ultimately shut down and prevented from trading. The connections to the (then) President of the United States, George Bush, albeit indirectly via The Carlyle Group, to a business that was called by investigators, “the most corrupt financial institution in history,” was hardly a ringing endorsement. Whether it was connected or not, a little over eighteen months later, Bush would lose the presidency to Bill Clinton.

And Bill Clinton is another person of interest here, not least because of an interview he gave to James Kilpatrick in August 1994, in which he stated his awareness of a “permanent shadow government” comprised of “bankers and government officials” that shape the political agenda. He also went on to say he realized he would have to “gain access to this inner circle” if he was going to help “shape the world!” Further still, in 1991, he received an invitation to the secretive Bilderberg meeting. The invite would come courtesy of David Rockefeller. Coincidentally or not, Bill Clinton won the 1992 US election the following year. Despite being on the other side of the left/right paradigm, there are some intriguing connections between the Clintons, specifically Bill, and the Bush family, perhaps most notably during Clinton’s time as Governor of Arkansas.

The person who would donate the most funds to Bill Clinton was Jackson Stevens. What is perhaps interesting here is that Stevens was one of the main financial investors in the aforementioned BCCI, as well as being a close friend of the Bush family. It would appear, however, that financial backing was just a front. Aside from claims of drug smuggling, which we will look at shortly, there were claims of money laundering. This would, it is claimed, take place through the Arkansas Development Finance Authority (ADFA) at a time when Bill Clinton was governor of Arkansas.

One of the loudest voices regarding the matter was that of Larry Nichols. In the 1994 documentary, The Clinton Chronicles, Nichols appeared to lay bare these illegal activities while serving as the Marketing Director of ADFA. He would claim to be “sitting in the middle of Bill Clinton’s political machine”, witnessing “payoffs” and “repaid favors!” Any monies applied for also had to go through the Rose Law Firm and Hilary Clinton, for a fee of $50,000. It was when he discovered that no repayments were coming back in for the loans that he claimed he discovered money laundering activities.

Much of the money, according to Nichols, was from cocaine sales, which would be siphoned off to BCCI, which was connected to The Carlyle Group, and in turn, George Bush. Perhaps the biggest connection between the Bush family and the Clintons, however, can be found in the story of Barry Seals.

The recent movie, American Made, was based loosely on Seal’s experience. It would appear, however, that Seals’ real-life exploits are more fascinating. Seal’s most profitable and busy times in drug smuggling were in the 1980s, when he moved his operation to Mena airstrip in Arkansas – at the same time, remember, when Bill Clinton was governor of the state. There, he had specially made planes at his disposal, featuring very specifically designed nose cones that were used to smuggle drugs (cocaine).

Coincidentally, Seals, according to several court testimonies, was also used by George Bush Sr. (when he was Vice-President) as a pilot during the Iran-Contra operations that saw (then) President Reagan at the center of one of several scandals during his presidency. Many of those flights left from Mena airstrip with Bill Clinton, if you believe the claims, being fully aware and even (privately) supportive of them. Perhaps the best piece of writing (at the time) covering these exploits was an article set to be titled The Crimes of Mena. After having cleared all legal barriers for publication, the article was pulled without explanation, and is dubbed “The Greatest Story Never Told!” Arguably, the lines referring to Presidents Reagan, Bush, and Clinton sum it up: “What did they know about Mena? When did they know it? Why didn’t they do anything to stop it?”

Why indeed?

Incidentally, Barry Seals was murdered in February 1987, coincidentally or not, shortly after he began speaking publicly of the Mena airstrip activities.

So where does Osama Bin Laden fit into all of this? The first time most of the world knew the name Osama bin Laden was following the September 11th attacks. However, he had been known to the CIA since the early 1980s. Given George Bush Sr.’s CIA connections, and the connections both he and his son have to the bin Laden family, and what we have just discussed, perhaps that is not too much of a surprise. During the Soviet-Afghan conflict in the 1980s, bin Laden was on the payroll of the CIA, leading the Mujahideen against the Soviet Union. The money that arrived with him traveled through such institutes as the BCCI and came from profits from weapons and drug sales. The same weapons and drugs that went through Mena airstrip.

By the time Bill Clinton was in the White House, Osama bin Laden had “officially” gone rogue. According to intelligence reports, he had grown tired of the United States and its influence in the Middle East. Many US embassy bombings were blamed on bin Laden during this time. Some conspiracy theorists are suspicious at best about this, with claims existing that bin Laden very much remained on the CIA’s payroll.

Whatever the truth of the situation, by the morning of September 11th, 2001, with George Bush Jr. eighteen months into his first term in the White House, the bin Laden name was about to become infamous.  

While the conspiracies and questions regarding September 11th have been explored in depth, some of the basics of them are worth looking at here, if only to highlight the “coincidences” on offer again. For example, on the morning of September 11th, literally as the attacks were happening, George Bush Sr. sat in a meeting of The Carlyle Group, also attended by one of Osama bin Laden’s brothers. Considering the number of business ties already existing between the two families, some found this strange. The fact that members of the bin Laden family were not only allowed to leave the United States following the 9/11 attacks but were positively given safe passage by the US military is perhaps also of interest. This order would have presumably come from high up the ranks of the US government, given that every aircraft was grounded following the tragic events. Even though so many construction contracts were given to the bin Laden family businesses for US military bases in the Middle East, particularly Saudi Arabia, the bin Laden family’s home country was questioned.

Perhaps this last point is even more interesting, considering bin Laden and, according to the official report, fifteen of the 9/11 attackers were Saudi Arabian, that the United States would not turn its military might to Saudi Arabia (where they have interests) instead of Afghanistan (where the Afghans have oil and heroin). Make of that what you will.

Of the many different angles and claims regarding the September 11th attacks, the one thing that all who question the official story largely agree on is that they were, even if opportunistically and after the fact, used to justify the military action that would unfold in the years that followed.

It wasn’t just apparent veiled warnings of the September 11th attacks and the war that followed it, however, that Rockefeller spoke to Russo about during his conversation in late 2000. According to Russo, as well as sharing many “thoughts and ideas”, the entrepreneur presented several “business opportunities” to the filmmaker.

One of these, at least according to Russo, was a position with the Council of Foreign Relations (CFR) – an invitation, incidentally, that he declined. It was during this conversation that Russo claimed the subject of population control was brought up, and the apparent desire of the CFR to reduce the planet’s population by 50 percent. Russo also claimed he was told that many people who work for the CFR (and similar organizations) are often oblivious to the real agenda of those at the very top.

Of even further intrigue, Russo offered that Rockefeller informed him that the end goal of this elite group – one whose members are wealthy beyond imagination – was to have the entire population of the world “chipped”, which would, essentially, allow them to control every aspect of society.

As to why Rockefeller should entrust such information to Russo in the first place, the filmmaker offered that they believed he was a “mover and a shaker” who they wished would “stop his political activities and join them”.

As we know, eight months after this interview, Russo was dead. And as we might imagine, there were some who weren’t fully convinced of the official cause of death, or at least, the cause of the cause of death.

Once more, while we should treat the claims with a sizeable pinch of salt, Alex Jones claimed on his show several months after his death, that Russo had confided in him off-air. He claimed that Russo had told him that his life had been “threatened” and that he believed the cancer he was suffering from (which eventually killed him) was caused by some kind of “Direct Energy Weapon” being used against him.

We should also note that Russo’s girlfriend, Heidi Gregg, stated only days after Russo’s death on August 29th, 2007 – once more on the Alex Jones show – that such claims of weapons causing Russo’s cancer were “nonsense” and that illness was caused by nothing more than “his lifestyle”.

While it is certainly reasonable to believe that Rockefeller did indeed tell Russo of planned “endless war” and false flag attacks, this information was passed to him less than a year before the September 11th attacks in late 2000, 17 years after Trading Places was released, we might ask, if the references to 9/11 in the film are accurate, then where did Russo get his information from? Did he have access to such information decades before it happened, or was he perhaps putting these references in the movie unwittingly?

At this point, it is worth noting a possible connection to the intelligence services. While we should stress that much of this is pure speculation on our part, the fact is, the intelligence agencies – including military intelligence – have more of an active role in how films and television shows are put across, particularly so with military, historical, and, interestingly or not, science-fiction. Indeed, this involvement could be the subject of discussion in its own right.

For example, if a blockbuster movie about a historical conflict was being filmed – whether it be the Second World War, Vietnam, or the Gulf conflicts – then military intelligence, as well as the intelligence agencies themselves, perhaps particularly so with the CIA, would be involved with the filmmakers in a “consultancy” capacity. This is to, officially, at least, ensure accuracy, although it almost also certainly ensures that the story is not “anti-American” or doesn’t damage the reputation of the United States. In return, filmmakers often find themselves able to shoot on location and have access to accurate replicas – ultimately, the making of their respective films is a lot smoother.

While consultancy on military films might be understandable, we might ask why science fiction films come under the same intelligence scrutiny? And we might also ask, what other “advice” these military intelligence departments might offer?    

{ https://mysteriousuniverse.org/ }

For the purposes of our contemplation here, we might also ask ourselves whether, directly from the intelligence agencies, or from other, unknown (to the public) individuals who just might be a part of some of the elite organizations we have discussed here, could apply such influence. Could it be that the respective directors of some of the films we mentioned that have featured references to 9/11, for example, whether fleeting references or more substantial ones, such as those by Aaron Russo in Trading Places or the examples offered in the Back to the Future films, were somehow influenced into inserting such imagery and use of the numbers 9, and 11?

Indeed, many could have done so without their knowledge as to what the reference might mean or without giving little thought as to why they were asked to include such references in the first place. We might imagine, for the sake of argument and to play Devil’s Advocate for a moment, that a potential producer (essentially, a person with money to finance the project) who makes such a seemingly random and innocent request to have a close up of a clock with the hands set at 9 and 11 – done in such a way that it would not interfere with the story or the director’s vision – would have met little if any resistance.  

While the idea of hidden messages and predictions of future events in blockbuster movies is perhaps unlikely, it is not that much of a stretch of the imagination that there is more to such a notion than many people might think.

It is no secret that the world of Hollywood and the big guns that inhabit it is a world quite different from the one that most of us reside in. It is a world where some people have more influence than most could imagine, and with that influence, or perhaps even as a result of it, is access to information reserved for only a very select few.

Perhaps there is a good reason that many people over many years have stated that such groups as the Illuminati treat Hollywood as their playground, where they use the medium of the silver screen to not just tell stories and entertain, but to sway the will of the public themselves. They essentially have their audience under a self-imposed, subconscious form of mind control.

Jim Morrison’s famous quote of “Whoever controls the media, controls the mind” should perhaps be taken a little more seriously than a flippant, throw-away line.

Morrison, himself studying to be a filmmaker leading up to the success of The Doors, was certainly a perceptive person. Given that the 1960s also witnessed the beginnings of television becoming a “must-have” item in most homes in the Western world, Morrison was perhaps well placed to make his claim, and no doubt saw first-hand the effects of such a device, and indeed his own fame as a result of it, on the general public.

Indeed, the next time you settle down to watch the latest blockbuster or episode of your favorite television show, ask yourself what are you really being shown? And just might subconscious messages be taken in by the brain?

In an age where information and entertainment intersect in unprecedented ways, decoding the hidden messages within movies and television shows invites us to question, analyze, and interpret the narratives that shape our understanding of the world. As we navigate the complexities of an increasingly interconnected society, the line between fiction and reality continues to blur, leaving us to ponder the mysteries of predictive programming and its implications for the future.