UFO'S of UAP'S, ASTRONOMIE, RUIMTEVAART, ARCHEOLOGIE, OUDHEIDKUNDE, SF-SNUFJES EN ANDERE ESOTERISCHE WETENSCHAPPEN

“You will be part of the five proud branches of the United States Armed Forces… Army, Navy, Marines, Air Force and the Coast Guard.” These were the words of U.S. President Donald Trump back in May, during a ceremony at the Whitehouse honoring the Army Black Knights college football team. Up to this point, his comments were fairly pedestrian… but of course, that’s just about when things took a turn for the stars.

“We’re actually thinking of a sixth [branch]” Trump continued, “and that would be the Space Force. Does that make sense?”

Well, for the most part. Wait, was he serious?

“This is perhaps because we’re getting very big in space, both militarily and for other reasons, and we are seriously thinking of the Space Force.”

The question remains as to who the “we” he was referring to might have been… although in truth, rumors are already floating around on the web suggesting that Trump actually got his “Space Force” off the ground after all… and one of its clandestine vessels might be parked on the moon.

At least that was the view being expressed by those commenting on one Scottish man’s popular YouTube channel, where he shows footage that he believes to be proof of a mysterious “triangular” object on the lunar surface.

The National recently reported that “A Scottish UFO researcher’s video of a mysterious triangle on the surface of the moon has gone viral on the internet.

“Uploaded to his Streetcap1 channel on YouTube, George Graham’s video had attracted well over 12,000 views by last night, just a few hours after it was first shown.”

Taking a look at the the YouTuber’s channel, with all due respect, it appears to be more of the usual humdrum: people talking about mysterious shapes and odd rock formations on the lunar surface, and whether some of them could be UFO craft and the like. To some, they look like rocks scattered about on the moon… to others, they could be evidence of alien life.

As for a “Triangle TR-3B” parked on the moon, and whether or not it’s part of Trump’s so-called “Space Force,” well… let’s just say we aren’t convinced. But perhaps the saddest part of all this is that over the years, there have been a number of serious scientists who have spent time (even while on the clock working for NASA) studying anomalies that appear on not just our moon, but on moons orbiting other planets in our solar system, such as the Martian moon Phobos.

Enhanced NASA image of Phobos from the Mars Reconnaissance Orbiter.

Among these was Lan Fleming, an imaging expert who processed scores of photos and footage collected by various NASA missions over the years (see here for his full educational background). Fleming was subcontracted to the Johnson Space Flight Center during the 1990s, and became known for taking an interest in the various unusual features that turned up occasionally on Earth’s moon and other orbital bodies throughout the solar system of which visual data obtained.

Sometime after the Mars Global Surveyor probe photographed the Martian moon Phobos in 1998, Fleming was contacted by a visual artist and writer named Efrain Palermo, who had been referred to Fleming by Dr. Mark Carlotto, an imaging expert who had previously lent his expertise to study of the Cydonia region on Mars. Palermo had discovered an unusual feature on Phobos, which appeared to be a large structure or other feature that cast an unusually long shadow. Fleming had noticed it too while reviewing various footage from the Mars Global Surveyor; however, he had initially interpreted the long shadow was merely due to a low sun angle relative to the position of Phobos in its orbit around Mars.

The famous (corrected) image of Phobos’ monolith.

Further communication between the two led to the discoverythat some of the features on the surface of Phobos had been distorted in the images Palermo and Fleming had been analyzing, which gave the appearance of unusually long shadows. Nonetheless, after corrections were made (and these “orthorectified” images were compared with the unaltered originals from NASA), it became evident that the shadow of Palermo’s mysterious “monolith” was indeed very long.

Fleming noted the following of the strange object:

There seems to be no good reason to put the word “monolith” in quotes to describe this object. Efrain’s interpretation is absolutely correct. At the very least, this object is a monolithic block of stone, although it’s high reflectivity may indicate that it is composed of something else. But how likely is it that it’s artificial? That depends in part on how tall the object is relative to the width of its base. A block of stone several times longer than its height created from the impact of some large meteoroid would be unlikely to land on its narrow end and remain upright.

Palermo even produced images of what he estimated the rough shape and size of the object to be (which can be seen here). Fleming concluded that “Unfortunately, the Mars Global Surveyor, now in a low mapping orbit around Mars, will never have another close encounter with Phobos. That will have to remain the task of some future spacecraft.” He added (somewhat cryptically), “Given NASA’s history of avoiding any intentional examination of anomalous objects, it will probably have to happen by accident. But Phobos is a very small world, so if other spacecraft have close encounters with Phobos in the future, there is a fair chance we eventually will see this monolith again.”

The Phobos “monolith” (yes, we’re still using the quotation marks, despite Fleming’s reasonable objection to it) is but one of many genuine anomalies in our solar system that should warrant further attention. It is our contention, at very least, that such “Phobian” mysteries, as well as other notable oddities on our own moon (click here to see my article on one of these), should certainly warrant more consideration than the usual tripe that appears in tabloids these days.

When science can be applied to such mysteries, only then should they be deemed “anomalies; anything else is purely pareidolia, and is tantamount to lazy afternoon cloud-gazing.

{http://mysteriousuniverse.org/ }

The world of Hollywood has always been quick to (a) pick up on what’s going on in the real world of unsolved mysteries of the conspiratorial and supernatural kind and (b) make use of those same mysteries in hit TV shows and mega-bucks movies. Take, for example, the 1994 movie, Roswell, starring Kyle MacLachlan and Martin Sheen. It’s a production that did a pretty good job of fictionalizing the world’s most famous UFO case. Then, there’s 1997’s Men in Black, starring Will Smith and Tommy Lee Jones, a movie that brought the dark-suited silencers of Ufology to a new, huge audience. And, of course, there’s The X-Files, which weaved far more than a few well-known enigmas into its plot-lines, including the Jersey Devil, lake monsters, and the world’s most famous, secret base, Area 51.

There is, however, one particularly sinister and enduring mystery that, for the most part, falls under Hollywood’s radar. Yes, it occasionally gets touched upon. Sometimes, it will get more than a few minutes of coverage. But, chiefly, it never gets the airtime that many might say it well deserves. You may be wondering what I’m talking about. Well, I’ll tell you: it’s the mysterious matter of cattle mutilations.

There’s a truly awful 1980 movie on the subject titled The Return. Indeed, it’s not even worth commenting on. So I won’t! There is, however, one film which is definitely worth commenting on. Its title: Endangered Species. It’s a well-researched movie that stars the late Robert Urich (of Vegasfame), who finds himself plunged into the heart of a menacing and disturbing conspiracy in the Centennial State, Colorado.

Directed and co-written by Alan Rudolph, Endangered Speciesfocuses on one Ruben Castle (Urich). He’s a Big Apple-based police-officer. He has a major drink problem. And, his relationship with his daughter, Mackenzie (Marin Kanter) is rocky, to say the least. So, something has to give. And it does. Castle decides that the best thing he can do is to get out of New York for a while, quit the bottle for good, and try and mend fences with his daughter. It doesn’t quite work out like that, however.

After arriving in a small Colorado town, specifically one where an old friend in the world of newspapers, Joe Hiatt (played by Paul Dooley) lives and works, both Castle and his daughter cause problems for the local police. And particularly so for the local sheriff, Harriet Purdue – played by actress JoBeth Williams. Indeed, Castle is not a particularly endearing character: he’s a drunk with a hair-trigger temper, and, while in Colorado, he fails to stay on the wagon. But, it’s to the credit of the production team that they chose to make their star a flawed figure, rather than playing things safe and going with the typical Hollywood “hero.” And Urich does a very good job of giving substance to the role of Castle. All of which brings us to the plot: something downright deadly is afoot.

In no time at all, Castle learns that something very strange is going on in town and in the surrounding fields of local farmers. Cattle have been found killed under very strange circumstances. Organs are removed with what appears to be expert precision. Incisions seem to have been achieved by nothing less than lasers. Everyone in town is on edge. Ranchers are angry and outraged. That’s hardly surprising, given that there is talk of UFOs skulking around in the dead of night. There are whispers, too, of satanic cults roaming the area, sacrificing the cows in devilish rituals. And, the audience is given tantalizing glimpses of strange lights in the sky. What’s going on? That’s the question that Castle finds himself pursuing, more by accident than by design.

As Endangered Species progresses we see Castle and Sheriff Purdue hook up in more ways than one. And we see that what begins as a tale filled with accounts of aliens and devil-worshipers, soon becomes something very different. In many ways, it’s something even more deadly and dangerous than beef-loving ETs or devotees of Satan. Particularly deadly and dangerous are Hoyt Axton and Peter Coyote. Or, rather, they should be dangerous.

Axton plays Ben Morgan, a powerful figure in town. He appears to know far more than he’s willing to admit. Whereas, Coyote’s character is someone known only as Steele, a man who definitely knows more than he’s saying. It’s unfortunate, however, that both characters come across like stereotypical, over-the-top, we’ve-seen-it-all-before arch-villains. Indeed, Steele would have been perfectly at home in one of those old, 1920s-era silent movies, in which the black-cloaked villain ties a beautiful blond to the railroad tracks and eagerly rubs his hands (and twiddles his mustache) as a fast-approaching train threatens to end her life.

That quibble aside, however, Endangered Species is not a bad movie at all. As the story continues, we see far less talk about aliens and UFOs, and far more about black and near-silent helicopters, secret biological- and germ-warfare programs, and paramilitary-style operations of a very dark kind. We also see Joe Hiatt killed for poking his nose where it wasn’t wanted. Ben Morgan comes to a grisly end, too. All of which leads us to a solid, suspense-filled conclusion and an answer to the mystery.

In case this article prompts you to delve into Endangered Species for yourself, I won’t spoil things by revealing the outcome, and who – or what – is really mutilating cattle in Colorado and elsewhere. And why. I will, however, say that this is a well-made, largely engrossing, movie. For me, at least, it echoes in many ways the likes of certain classic 1970s-era movies, such as The Parallax View, Capricorn One, and All the President’s Men, in terms of the on-screen paranoia, suspicion of government, and mystery that those movies so skillfully generated. Endangered Species does very much the same. It’s not the greatest movie ever made. But, it is a largely well-acted, and well-made, production. It’s a very thought-provoking film, too, given what we know (or don’t know) about cattle mutilations in the real world.